I haven't blogged in ages. Busyness, grief, demands of running a house, much needed time with family are not valid excuses when you're in the writing game.
But today, after a seconds-long power brownout in our part of Baguio, I decided to write something on a project of which I am one of many organizers (the others being Joseph Uy, Alan Andres of the Cultural Arts Events Organizer and retired University of the Philippines Baguio economics Prof. Ben Tapang).
Ben and I are going to incorporate ourselves into a non-stock, non-profit outfit called Guacamole Productions whose mission/vision is to spread the good news about classical music in the city of Baguio. We intend to bring up our most promising classical musicians whether soloists, chamber instrumentalists, vocal artists or, God willing, symphonic orchestra players. The end goal is to make Baguio the Salzburg (northern musical capital) of the Philippines.
So far, we have been encouraged by the support shown by President Ray Dean Salvosa of the University of the Cordilleras and his staff, particularly Onie Aguinalde, vice president for administration, and Vicky Molina, Salvosa's executive assistant, Des and Auring Bautista who've consistently been with us since the Baguio Summer Music Festival began in 2015, University of the Philippines Baguio Chancellor Raymundo Rovillos who greeted us with a friendly "Is that a cultural proposal you are about to bring to me?," friends from the Baguio Association of Restaurants like Edna Anton of Sizzling Plate, Ninj Sabado of Arca's Yard and Marie Therese Jison of Mother's Garden and Restaurant who immediately signed a check for the dinner of the visiting artists even if her venue is closed for major renovation. Therese said she believed in the project and would like to help. She went to the extent of delivering the check to me. Therese, it'll go to a dinner for 10 persons at the beloved hangout for unlimited Korean barbecue, Korean Palace.
Why Guacamole? Well, we found "pine tree" bordering on a cliche. And avocado trees also abound in Baguio. Plus guacamole implies halo-halo, a merry mix of European classics, American classics, original Pilipino music, Broadway and movie themes, opera, etc.
Salvosa has been some kind of guiding guru, making us understand the taste buds of our city. One time we proposed a chamber version of La Traviata to him and sent him videos of the Viva Voce performance at Ayala Museum last year. He nixed the idea, explaining that his students and employees were not yet ready even if some arias in Traviata were popular.
But when I watched The American Songbook recently (May 12) at the Insular Corporate Center auditorium in Alabang, Muntinlupa City, something clicked in my head. This was what Salvosa meant! Millennials could relate to the songs from the pillars of American classical music (George Gershwin, Jerome Kern, Cole Porter and Oscar Hammerstein) and the ones written for contemporary Broadway musicals like Wicked and A Chorus Line. Millennials could also appreciate the sight and sound of their fellow millennials singing the old fogies' songs.
With barely two weeks to prepare, Joseph, Al, Ben and I punched phone numbers, designed and redesigned the e-poster and e-vite, sought sponsors (Musar School of Music was the most recent to step in), composed ourselves into a text brigade to help fill up the UC Theater and UPB's new Teatro Amianan. Salvosa, Bautista and Rovillos were one in saying that the songs from the songbook they were familiar with and they were food for the students' souls.
The American Songbook premieres tomorrow in a matinee at 4 p.m. at the UC, followed by a 6 p.m. performance on May 26 at the UPB and finally, a by-invitation-only engagement to celebrate Bautista's birthday at the UB Centennial Hall on May 28.
After all these, the songbook team of tenor Jan Briane Astom, sopranos Mheco Manlangit and Jasmin Salvo and original pianist Michelle Nicolasora will reprise the concert on June 17 at Ayala Museum in Makati and in a dinner-concert on July 1 at Gourmet Gypsy Art Cafe on Roces Ave., Quezon City.
But nothing like watching the show in good ole Baguio in the summer when the living is easy!
Our thanks also to our other partners: National Commission for Culture and the Arts and Genesis Transport Service Inc. with its de luxe Joybus ferrying the performers, production and documentation teams to and from our fair city.
