Tuesday, May 15, 2012
The Letter I Was Too Lazy to Write
the letter i
was too lazy to write said
i’m at the
point again of wanting
to turn off my cell phone
to turn my
back on texting
to refuse to
hear the phone’s pings
everyone
insists texting, like email,
is quick
time, almost real time
especially
if it’s globe to globe smart to smart sun to sun
they remind
like a nagging never-can-do-wrong mother
you need
that phone for emergencies
&
anyways (oh, how I detest that extra “s” after the “y” on “anyway”)
the wifi
signal is as rapid as your blinking eye
i ruined two,
three phones since '03
& each
time got a handy secondhand
that would
do the job of instant connect
i reconstructed
my directory
but each
time i did, oh woe,
i lost what i
truly wanted to keep
not the
vital practical life-or-death contacts
but the
messages
that reminded
me where i was
on a special
christmas morning when
my
happily dysfunctional family,
the sort
afflicted with the optimism bias,
was together
in one place
or where i
was on another day when i was ill
& again near
the edge of despair
when i was
soaked with rain & stranded
in a remote dark
part of myself
when i was
in a bus & the conductor fed a DVD
of a B movie
called “the losers”
at an
ungodly time when all i had were
jingling
coins in my purse & an ingrained faith
that this
situation will pass
ahhh those
messages were messengers
from the abyss in the sky
somewhere in
one of those roving satellites
an autobot
has read how
an earth
woman early today texted
“good a.m. are we on for 10 a.m. mtg 2day?”
the letter i
was too lazy to write
will tell
you i’ll have none of that
for the
meantime
i’m at an
alternative spa
for the techno-weary
having my
brain re-wired
into
improving the sprawling penmanship
that has
increasingly lost its legibility
two months
ago a student came up to tell me
with only
the honesty a child can muster
“teach, your
handwriting is like
a doctor’s
prescription”
the
time to listen more to myself think has come
the
time for longer pauses has arrived
letters allow for lengthy pauses
not measured in quick time
before the ballpoint pen
resumes
its up-down movement
across a page
how silly i
was to imagine a text
or even an
email, no matter how drenched
in emotion,
can replace that?
from hereon
you’re gonna
hear from me
but give it
a waiting time of two weeks
~ Babeth Lolarga
May 15, 2012
6:22 a.m.
Photo of flowers and notebook from the WorldWideWeb.
Sunday, May 13, 2012
Sisters Craft Café: Venus' Giveaway
Sisters Craft Café: Venus' Giveaway: Welcome to the month of March. This is very special for me because this time, I'm announcing my second pregnancy ! I'm in the beginnin...
Video: Harvard baseball team's 'Call Me Maybe' dance (in a van)
Here's my Mother's Day present to the man who plays big mama in our house because he's a whiz at household management or probably he secretly majored in home economics, Mr. RBF. He's a baseball fan to cover the softie side.
Video: Harvard baseball team's 'Call Me Maybe' dance (in a van)
Video: Harvard baseball team's 'Call Me Maybe' dance (in a van)
The Lioness Who Grew Eagle’s Wings
For the Leo girl who discovered a place better than a museum
to give her memories to
last her while away from home
i catch her on the first of May
crying quietly into her pillow
but mothers can read the meaning of tears
or almost taste the salt in them
having shed them too when they labored
to bring lives like hers to a heedless world
i know what will put the smile back
on her face wan & pale
push the willfulness back on her spine
revive the wish for a strong wind
to enable her wings to fly to heights undreamed of
![]() |
| Unfinished painting of a woman in a castle by GCF |
together we drop in on a young-old lady
a mother to four & scores more who think
the world & the cosmos of her
| Pink cherub resting in a boudoir |
her house is open to all the winds
that blow in fairies & creatures out of
a sendak imagination
where angels & tikbalangs co-exist
in jolly peace-ability
by the time child woman is done with her salad
her petulance evaporates
as she listens intently to the hostess, that
groovy crone’s positively possible
predictions that banish uncertainty
& restore a smile
& restore a smile
on a now fully peaceful face
until the child assumes a woman
warrior pose, one ready for flight
to leap unharnessed to embrace & explore the marvels
of the foreign & the unknown
--Babeth Lolarga
May 12, 2012
6:52 a.m.
Saturday, May 12, 2012
Letter to a Weekend Beach Girl
![]() |
| Holding her beach ball in April this year. Photo by Kimi Fernandez |
Dear Butones,
That time you held your striped ball for the first time, trying to figure what the light object in white blue yellow red was (bigger, more definitely, than the baseball you roll and chase after on the carpet), I rued how summer was passing us by without our having gone near a body of water bigger than us.
Your tub isn't counted. You had long outgrown it and now take a bath under a running faucet, always thrilled by the feel of water.
Like an answered wish, an invitation to a beach wedding came. Faster than you can say "Go!", Mamay and Ate packed your things, including your deflated beach ball and mushroom-shaped floaters. They all went into a suitcase with your perpers and tushies, your toothbrush and swimsuit.
You left on a Friday, wide-eyed and restless in the car, and I had to stay behind, waving, waving, waving, already imagining how several hours later, small waves will be licking your toes and smaller handfuls of sand will be cupped in your palm.
You'll come back to me on a Sunday, nearly toasted by and smelling of the sun and squealing to free yourself from my huggy bear arms. I'll run some water in a pail, we'll let the yellow duck float, find a ball the size of my fist and I'll sing to you again the rowing song that turns your arms into sturdy paddles.
Hey, little ball of joyful motion, come home soon.
Booboo
Friday, May 11, 2012
Nominations for Ateneo Art Awards now open
Established in 2004 in honor of its founding benefactor Fernando Zobel de Ayala (1924-1984), whose support of young Filipino visual artists left an indelible mark in Philippine art history, the Ateneo Art Awards are given to Filipino visual artists below the age of 36 for outstanding work in an exhibition between 2 May of the previous year and 1 May of the current year.
As the Ateneo Art Awards gears up for a milestone, the ninth year takes the theme “Sneak Peak”. This anticipatory stance as we approach a peak in the history of the awards, serves not as a statement of fact, but a call for introspection. The contemporary Philippine art scene is as dynamic as ever and the world is taking notice. With the overwhelming recognition, we are called back to the core to reminisce, to hope and to work anew.
Nominations
are accepted from visual artists, curators, museum and gallery directors,
members of the present and former juries, art educators and art writers.
Nomination forms are available at the Ateneo Art Gallery, Ateneo de Manila
University, Katipunan Avenue, Loyola Heights, Quezon City; at Casa Gorodo
Museum, Cebu City; or from the website www.ateneoartgallery.org
From
all the nominees, 12 exhibits/ artworks will be shortlisted and on 09 August
2012, 3 will be declared winners. The artists who created the winning
exhibitions/ artworks will be invited to apply for the international residency
grants funded by the Ateneo Art Gallery and its partner institutions Common
Room Networks Foundation in Bandung, Indonesia; Artesan Gallery in Singapore;
La Trobe University Visual Arts Centre in Bendigo, Australia; Art Omi in New
York; and Liverpool Hope University in Liverpool, UK.
All
nominations must be received at the Ateneo Art Gallery before 5pm on 31 May
2012.
For more information, please contact Ian Carlo Jaucian at +632 4266488 or
mobile +639178878956 or email ijaucian@ateneo.edu. Exhibition of the works
of the artists short-listed for the Awards will be at the Grand Atrium of the
Shangri-la Plaza Mall, Shaw Blvd, Mandaluyong City from 3 August - 13 August
2012.
The Ateneo Art Awards is presented by the Ateneo
Art Gallery, Shangri-La Plaza, Metro Society, Y-style of the Philippine Star,
and the New York Art Project, funded by Marcel Crespo.
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