The best Mother's Day gift I received arrived in my email yesterday, a lengthy letter from my second-born daughter Ida detailing how her class of 21 nursery students prepared for their own tribute to moms. She clinched her letter with what I'd call an "Ida-ism": "happy mother's day, nanay! you make my eyes roll and you may not be my favourite person, but i love you."
Gliceria "Nene" Dula as a debutante in 1946
Holding her second-born child, my sister Evelyn Marie ("Embeng")
My own Mommy made my eyes roll not just a thousand times. Among my sisters we like to joke that of her physical traits, Mom bequeathed us her indio nose and her bunions that make closed shoes uncomfortable.
Our clashes were bitter wars of attrition with periods of peace, with the intercession of Daddy, during mealtimes and occasions like birthdays and Christmas. There was a period in adolescence when I opted to stay home rather than be seen with Mom and her growing brood (a devout Catholic, she followed papal edicts to the letter and refused artificial contraceptives). Alone I cherished the relief from her nagging and what I felt was her overbearing presence.
I longed for a mother who could be a friend and confidante the way my Lola Purang in Baguio was to her children and grandchildren, or the way Aunties Fe and Pacing (my father's sisters) were to my cousins. What I felt the Lord had burdened me with was a battleaxe in a slender and attractive package.
One of my sisters still has this image of Mom with a fly swatter ready to swat not just flies but any erring child. The fanny was her target. I have memories of Mom chasing a sister round and round the round dining table with a flyswatter in her right hand. We knew what kamay na bakal meant early on.
I was only able to say what was in my heart to my mother through a letter when I approached my 60s. The letter wasn't even penned by me. It was written for me by former Baguio Writers Group president Luchie Maranan when BWG had a commissioned handwritten letter campaign in February 2015. I supplied the ghost writer with the inputs on what I had been meaning to tell my mother, among which was how I appreciated her sacrifices for the eight children she bore even if this meant a lack of quality time for us since she and Daddy had to go out and work to provide for us. When I finally held Luchie's letter, the hair on my arms stood up. Her penmanship uncannily resembled Mom's, and my first thought was, "Why is Mommy writing me a letter through the BWG?"
Baguio still means happy memories to us. It was where our parents brought us in the summer, and it must have cost them a pretty penny to do so. Thank you, Dad and Mom!
The mellowing of Mom came with the coming of the grandchildren. Her oldest apo Carlo's Matchbox collection is courtesy of his Lola Mommy, who spoiled him to pieces.
This is what I mean by Mom's makuha ka sa tingin facial expression captured by poet Mila D. Aguilar during an intimate concert at Balay Kalinaw organized by Pablo A. Tariman.
Anyway, when Mom read "my" letter, she told my daughter and sisters that even late in the day, I had come to realize why she was the way she was--her sternness, her disciplinarian's ways. By becoming a mother myself, I have seen that motherhood is the toughest job in the world. And that the fretting over one's children and their well-being, even if they're already adults, never ever stops.
My mom was a proud and vain woman, ramrod straight in posture, always well turned out, fully made up whenever she left the house, whether for the office (she worked until her 70s) or a Legion of Mary meeting. An illness crept up on her late last year. Today she is a ghost of her former self, but to me she is even more beautiful as peace slowly descends on her. She mumbles in that state between wakefulness and sleep--I try to decode what she says in hopes I get clues to her past which she has always been reticent to share, except for the good times. Her knees buckle when she tries to stand with assistance from hefty adults.
But our faith teaches us hope--miracles are possible. If her body and mind don't heal fully, my siblings and I plus those who fondly call her Auntie/Tita Nene or Mommy Lolarga (from the streetsweepers she has befriended to the village security guards she sends merienda to) pray that her spirit does, ready to return to the source of Light and Love. And when Judgment Day comes, she will be restored to full glory. This we all believe.
Guess who has the biggest smile in a family picture from one Christmas in the 1990s? That's our Mom, vibrant in red and seated second from right.
Showing posts with label Lola Purang Lolarga. Show all posts
Showing posts with label Lola Purang Lolarga. Show all posts
Sunday, May 8, 2016
Wednesday, December 11, 2013
Saved by the grandest of mothers
By my raw calculation (math was never a strength), Lola Purang would have been, what? 105 years old or something close to that today. And she lives, oh, how she still does in my heart, this woman whose love was unconditional for her folks, her siblings, a husband who went too soon, her children, the in-laws or, another term for elders that I overhead as a child, the "outlaws", grandchildren, great-grandchildren or those others she took into her fold--an extended family of help, sisters and brothers in the Methodist faith, strangers who were brought home by family to sup from her table or sleep in her house. It was amazing, that faith of hers that sustained her goodness and kindness all the days of her life. Here's to you, Telesfora Cariño Lolarga, the lace and love of my life.
Friday, November 1, 2013
A toast to the memory of departed beloveds
Do not stand at my grave and weep
Do not stand at my grave and weep
I am not there. I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain.
I am the gentle autumn rain.
When you awaken in the morning's hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry;
I am not there. I did not die.
-Mary Elizabeth Frye
Urn of sculptor Jerry Araos(+)
Nieves and SV Epistola (+) flank National Artist Jose Maceda(+)
Lola Purang(+) at her Brookside home, Baguio City
Daddy(+), Christmas of 1965, with his family
Jane Server Banzhaf(+)
Auntie Pacing(+), Lolo Lucky(+)and Lola(+), seated. Except for Auntie Fe, all the persons in the back row are gone (Uncle Ramon, Dad, Uncles Esting and Celso)

Rico Manlapaz(+) at his Antipolo home

Gigi Custodio(+) one lunchtime at the Glorietta
Lucrecia "King" Kasilag(+), fourth from left, and Odette Alcantara(+), second from right

May we be reunited with our huge family of departed blood relatives and friends in heaven. Meanwhile, a toast of sparkling, bubbly water to their memory. Do not stand at my grave and weep
I am not there. I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain.
I am the gentle autumn rain.
When you awaken in the morning's hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry;
I am not there. I did not die.
-Mary Elizabeth Frye
Urn of sculptor Jerry Araos(+)
Nieves and SV Epistola (+) flank National Artist Jose Maceda(+)
Lola Purang(+) at her Brookside home, Baguio City
Daddy(+), Christmas of 1965, with his family
Jane Server Banzhaf(+)
Auntie Pacing(+), Lolo Lucky(+)and Lola(+), seated. Except for Auntie Fe, all the persons in the back row are gone (Uncle Ramon, Dad, Uncles Esting and Celso)
Rico Manlapaz(+) at his Antipolo home
Gigi Custodio(+) one lunchtime at the Glorietta
Lucrecia "King" Kasilag(+), fourth from left, and Odette Alcantara(+), second from right
Love, Babeth
Sunday, September 8, 2013
Becoming an ancestor, finally
My title "Becoming an Ancestor" was cribbed from an essay of another grandma, the wise crone Mariel Francisco.
If what I read yesterday is true, today is Grandparent's Day. What would I be without a Lola Purang like mine who taught thrift in the basic necessities and generosity of spirit at the same time? Or my children and their cousins without a Lola Mommy whose culinary expertise has made her morcon and kare-kare legendary among clan members? Or Kai, formerly Butones, without grandparents like her Tats and Booboo whose partnership endures against the odds and whose love for books and shelves of these she will certainly inherit?
So to all the old and foolish beings who become young in the company of their grandchildren, cheers and more years of joy to all of us!
If what I read yesterday is true, today is Grandparent's Day. What would I be without a Lola Purang like mine who taught thrift in the basic necessities and generosity of spirit at the same time? Or my children and their cousins without a Lola Mommy whose culinary expertise has made her morcon and kare-kare legendary among clan members? Or Kai, formerly Butones, without grandparents like her Tats and Booboo whose partnership endures against the odds and whose love for books and shelves of these she will certainly inherit?
So to all the old and foolish beings who become young in the company of their grandchildren, cheers and more years of joy to all of us!
![]() |
| Carlo Trinidad protectively holds Kimi Fernandez's hand as their Lola Mommy waves at her unheeding grandkids. Taken in Baguio at Lola Purang's retirement home in the 1980s |
![]() |
| Kimi, Kai and the Boo |
| Grumpa Tats, who just turned 63, shares his birthday cake with Kai doing her trademark duck face. |
Subscribe to:
Posts (Atom)










