Showing posts with label Chit Roces. Show all posts
Showing posts with label Chit Roces. Show all posts

Thursday, March 7, 2013

Paper, pen, ink, VOS and the art of the doodle

If I can do half as good a pen-and-ink portrait the way my former editor, Vergel O. Santos, does, I think I don't have to force myself to learn how to cook and I can live on serviette art for the rest of my days. Sorry I can't use the word "napkin" even if I attach the descriptive "paper" before it.

Someone said the reason people look glum in their portraits is it's hard to hold a smile. Although I wasn't posing formally for a sketch, in the strict sense of the word, the doodler captured the surly girl in me. My partner would rather use the word "mischievous."
That's Pablo Tariman, the music reviewer and impresario reborn, on the left; it doesn't quite capture his milky and white disposition that day.
VOS drew from memory his former colleagues at Manila Chronicle: Amando Doronila and Rolly Fernandez. If this were my work, I'd call it, "Seriously, guys" or "Two serious guys and a typewriter."
To complete the cast of characters who had a laugh-out-loud lunch on People Power Day (it fell on same day as the Oscar awards ceremonies, but the lunch was repeatedly postponed so it had to go through) at the mother branch of Milky Way on Pasay Road, Makati (clockwise): VOS, his wife Chit Roces, Pablo and the matron with the downturned lips. Can't wait for VOS to finally mount a solo show.

Tuesday, January 1, 2013

Brookside bibi & famille say thanks for the follow




"To be strong yet vulnerable--this is how we live on this earth. A big embrace."--New Year SMS from poet Marj Evasco 

Blood was no typo on your part
For in your words I recognize a life force
Where I find
The solace
That these days collect
Like impossible raindrops
In the frozen snow
Outside the window of this
My winter's discontent.

--Jorge V. Ledesma, writing from his Colorado isolation

With a bib tucked in her shirt, the blogger is ready for another Yuletide repast.
On our favorite couch by the Christmas tree at Mario's
Blurry photo of Lolarga-Fernandez family with house guests Sinag de Leon and Raya Amado. Sinag's son Dakila couldn't keep still and decided to play with Kai's toy car.
At the beginning of this year, I must say that our happily dysfunctional family has managed to stay intact through the decades. 
 
Has it been that long since Rolly and I decided to hitch our lives to a star and gamble (it does seem like a roll of the dice), take a chance on what Simone de Beauvoir called "an obscene institution"?  This year just past, I learned something new--that your chances of coming out a winner from a casino range from 30 to 40 per cent.
Ida Fernandez with her Tatay and her niece Kai holding the figurine of a lighted angel
Chit Roces and Vergel Santos, colleagues in writing and journalism, drop by for coffee and chat.
Hmmm. Call us Mr. and Mrs. Lucky Us then! And many a time it was our kids, Kimi and Ida, and now our granddaughter, who have helped keep the union intact. Add to that, the fellowship of friends and an extended family of children and grandchildren of our own co-parents.

In a country where Christmas is celebrated the longest, the Lolarga and Fernandez families wish to thank those who've stayed with us. The blogger, channeling Meryl Streep, also thanks her 21 ++ followers who saw her through her ups and downs, enjoyed the roller-coaster of life with her and screamed along with her, with arms and hands held high, as the ride swooped down.

Here's to more and more of the same!
Shall we dance after this meal at that Baguio classic, Cafe by the Ruins?

Source of topmost photo: "Here's the Thing," an online column by Ben Patterson
Photos taken by Suzy and Babeth Lolarga, Rolly Fernandez and an anonymous waiter 

Monday, November 19, 2012

A David Levine in our midst

I think his wife Chit Roces already issued a warning in print to beware when her husband Vergel Santos is invited to socials. I saw why a few evenings ago. After he cased the joint, he sat himself comfortably at the farthest end of the room, then spent the rest of the evening sketching away in his palm-size notebook. 

My own husband Rolly was an unwilling victim when he and Vergel sat across a table at a media summit. Rolly thought Vergel was taking copious notes as a panel of speakers went on and on. He was so admiring of Vergel's diligence. Later, Vergel went up to him and showed a pen and ink portrait of Rolly. That portrait used to hang in a prominent corner in our bedroom until our grandchild moved in and the room's design was rearranged, and anything as disturbing as Vergel's portrait of Rolly was moved elsewhere.

At the end of Friday evening last week, I think I was Vergel's last subject for his quick portraits after he was done with the party-goers and waiters. While I watched him work swiftly, I was looking at his notebook from upside down so I had to ask, "Are you sketching me or my husband from memory?" Jeez! That was when I had one of those Joycean ephiphanies. It's true what the old married folk say--after awhile couples start looking like one another.

What Vergel captures is not the exact likeness of the person. Nor does he do a flattering interpretation of the subject. Like David Levine of The New York Review of Books (I think only Solidaridad Bookshop carries occasional issues of it), he gets the person's essence and distills it. Not unlike what Vergel's late buddy, Onib Olmedo, used to do.

Some people just have it all. Vergel can write, edit, lecture, sing (he was one of our "wedding singers" when Rolly and I marked our 25th jubilee as a couple). And draw with a pen. No erasures there which is what drawing from life is all about.

So I know exactly what to get Vergel the artist this Christmas. And he better not pout, he better not cry.

Photos by Babeth Lolarga

Thursday, March 19, 2009

That’s What Friends Are For


I could almost hear Dionne Warwicke singing that hit while friends Auring Bautista, Vickie Rico-Costina and Chit Roces “opened” the painting exhibition “Cats in My Fruit Salad” at Café by the Ruins Monday.

It also felt like I was alive, listening to eulogies at my own wake.

Here’s Chit’s little speech:

For love of you, Babeth, Vergel and I are here on this grand occasion, when once again, the writer demonstrates she is a painter, too, ignoring the warning from our mentor and our idol, Gilda Cordero Fernando who sent you this message:

Dear Babeth, you are really a good writer so why do you want to be a good painter? It’s bad for the health to be a good painter. Mas okay tayo as we are. You paint an eggplant or an apple as though you created the idea yourself – from the etheric soup, no similarity to reality. Aren’t you glad some people can’t stand us?

Gilda handpicked nine of her writer-friends to form a group called First Draft. Babeth and I are privileged to be part of it. And for over five years now, we have been meeting every other month in each other’s home or a nice restaurant where we enjoy a good meal and read our “homework,” the draft of an essay or something, to one another for friendly critiquing. Babeth makes it a point to come down for our meetings, and so we thought it would be a nice gesture if we all came up for this occasion, but circumstances kept everyone except me from coming – my husband, Vergel, was not hard to convince to come along. But the girls send their greetings:

From Fe (Peng) Arriola: Kudos on your new creative endeavor. May you one day reach the stature when like Gilda you would say ‘Award na naman?

From Mariel Francisco: Mabuhay ka! Your inner and outer beauty, your wit and humor radiate in your art. A big hug!

From Karina Bolasco, sending her message from Tokyo: Congratulations and very good wishes! Continue expressing your poetry in strokes and colors.

From Lorna Kalaw Tirol: I am endlessly amazed by the diversity and breadth of your talents and your generosity in sharing them with others less gifted.

From Rita Ledesma: Babeth, writer-painter, what a great artist you have become! Congratulations!

From Edna Z. Manlapaz: Go, Girl, go!

We would all have been here. We would have stayed at Edna’s condo. We even had visions of a pajama party and lots of fun, although most likely matutulog lang tayong lahat.

Babeth is second to Gilda as the most published in the Inquirer, although I probably have more articles submitted but still waiting for precious deserved space.

I usually read Babeth’s articles to my editor-husband. Invariably he points out to me her eye for detail, how she has put in all the elements of a good story, how she doesn’t say more than she needs to, and then concludes, ”Nag-reporter kasi si Babeth.”

So why do writers like you and Gilda and, for that matter, Vergel, who himself sketches and caricatures, digress from writing. But looking at your art, I see that you are still telling a story – “Nagkukwento pa rin kayo” – but what comes through is your sense of humor and your almost irreverent view of life, more subjective and personal. You have been set free from the disciplines of writing.

I have asked Vergel, and he says, simply, without attaching any philosophy to it, ”Because some of us can”.

Well, Babeth, you have shown us you definitely can, and just did. Congratulations!

Photo by EV ESPIRITU