I revisited my blog, brooksidebaby.blogspot.com, to search for old pictures of the late Mercy Fabros that her daughter May-i requested. I sent her links to blog entries where her Nanay was mentioned or quoted.
I am posting these three pictures of Mercy. The first two show us attending Viva Voce's "Complicated the Concert" in 2014 at the former Lopez Museum and Library on Textite Road, Pasig. The building that housed said museum and library is no more. It will assume another form in Rockwell Makati, but when that will open, I am not privy to that info. It just adds to the grief over lost people and lost stomping grounds in one's life.
Viva Voce's Camille Lopez Molina and Myramae T. Meneses bookend me and Mercy Fabros.
Color-coordinated! From left: Joseph Uy, Mher U. Nival, Mercedes Fabros, Ivan Niccolo Nery and me
In that concert, Mercy and I heard Raymond Yadao sing Julian Celis Bautista's kundiman "Parang Maghapon Lamang." We felt the hair on our arms rise. In the blog, I wrote that the Levi Celerio lyrics told of youth wasted: "Even if it feels like the length of a life, whether it ends at age 27 or at age 88, is long in earth-time, in the eyes of Eternity, it is only the equivalent of an afternoon."
Ang buhay ko’y maghapon lang pala
Tila isang saglit sa akin ang ngumingiting umaga!
May awit ang ibong tanda ng pag-asa!
Pagsapit ng hapon, ay!, kay lungkot sa puso kong nagdurusa!
Kung katotohanan ay ganyan,
Bakit sinayang ko yaong unang sigla ng aking buhay!
Di na magbabalik kahit na kaylan man
O! ang buhay pala ay parang maghapon lamang!
The third photo shows Mercy cradling my grandchild Kai. My daughter Kimi Fernandez had just "graduated" from Lamaze class with a successful childbirth, Dr. Melendre Araos as her attending OB-GYN.
My gratitude to Mercy and Melen is as boundless as the mysterious love that binds sisters together.
Showing posts with label Mercy Fabros. Show all posts
Showing posts with label Mercy Fabros. Show all posts
Tuesday, May 19, 2020
Sunday, May 17, 2020
Pocketful of mercies
Like many of the members of my generation, she was my Lamaze teacher as I got ready to birth my firstborn child Kimi Fernandez. When I was pregnant with my second two years later, Mercy Fabros gave me pointers to remember the breathing and relaxation exercises we had studied before that saw me through a quick labor and delivery.
She was also my breastfeeding coach along with members of the Gabay at Kalinga ng mga Ina (fellow Paulinians Meran Daza Umali, Connie Estrada Calimon). Such was her commitment to the Our Bodies Ourselves movement that I was so infected with wanting to give my daughters nothing but breast milk in their early years. I practiced tandem nursing. I weaned each child from the breast at age three. It got to the point that Gilda Cordero Fernando asked me, "What else are you doing when you're not busy being a cow?" Mercy was in that phase of my life quietly supportive.
As she was when it was Kimi's turn to carry her child Kai to full term. After an uneventful birth, Mercy and I referred to Kai by the possessive OUR apo. It was at this point nine years ago when we became closer. She was a regular paying supporter of Pablo Tariman's intimate concert series at the former Kiss the Cook Gourmet on Maginhawa Street and later at Balay Kalinaw, UP Diliman. At the end of each event, she'd inquire, again in that concerned way of hers, if the concert organizer broke even. Most times, he didn't, but he'd reassure her, "Life is beautiful."
She became part of what I called the opera barkada, a group of retired and semi-retired friends that enjoyed the classics, mostly performed at the Ayala Museum lobby. Usually coming from the Diliman campus, she took the MRT to SM Makati, then walked towards the museum. Or she'd take the Point to Point bus to and fro. Such was her enviable stamina--this woman who was part of a walking group also around the UP Oval.
At the end of the Mario Lanza recital produced by Joseph Uy and Al Andres Andres at Ayala Museum. Seated is soprano Stephanie Anne Gastrock Aguilar. Standing from left: the two Jennys, Jenny Juan and Jenny Llaguno, Marne Kilates, Babeth, Nympha Sano, Mercedes Fabros, Grace Banez, Melendre Araos and Gabriel Allan Ferros Paguirigan. At the back is tenor Mher U. Nival.
At the closing rites of Dame Nelly Miricioiu-Kirk 2015 masterclass at the Ayala Museum. From left: Mercedes Fabros, Jenny Juan, Nelly and Babeth trying the open back position earlier demonstrated by the diva.
Fortieth day following the death of sculptor Jerry Araos at the Garden of Two Dragons in Antipolo City. Seated: Babeth, Bani Lansang and Princess Nemenzo. Standing are Stef Sano, Steve B. Salonga, Victor Corpus, Pablo Tariman and Mercedes Fabros.
That rare occasion when Mercy Fabros wore eye shadow as a nod to the costume party/ball that marked the vernissage of Gilda Cordero Fernando's 2014 show "Same Difference: Ganon pa din ang diperensya" at Silverlens Galleries. From left: Anna Leah Sarabia, Mercedes Fabros, Babeth and Rolly Fernandez
Mercedes Fabros (right) could be counted on to turn up at friends' milestones, in this case Sinag De Leon's and Babeth's joint art exhibit in November 2018 at Gourmet Gypsy Art Cafe. From left: Anna Leah Sarabia, Sheila Nicolas, Bobbie Malay, Virginia Moreno, Melendre Araos, Fe Mangahas, Barbara Mae Dacanay, Jenny Juan, Sinag and Mercy.
Post-intimate concert at Balay Kalinaw. Mercedes Fabros lent her presence again. From left are Lorna Kalaw Tiro, Anna Leah Sarabia, Neni Sta Romana Cruz, Ivi Avellana Cosio, Maria Karina Africa Bolasco and Sheila Coronel. I am seated with Mercy's eldest grandchild Alon.
From March 9 to 11 of 2015, we sat together at an Ayala Museum function room as Romanian-British diva Nelly Miricioiu-Kirk conducted a masterclass for Filipino singers. Mercy explained, over lunch at Dulcinea's to which she treated me, why she was present for consecutive days after seeing Dame Nelly already perform at the Meralco Theater, "This is my birthday gift to myself." We both believed Nelly was not just an excellent vocal coach but a practical life coach for people like us.
Furthermore, we witnessed with our eyes and ears the big difference the singers made once they went through the hands of Nelly.
Mercy's death is still weighing a ton on me, a mere mortal who can't be brave in the face of loss. The tears I cried earlier have stopped, but the mourning hasn't. The months April and May have been personally cruel as one friend after another was stricken and called home. Home to where "mercies are new every morning."
She was also my breastfeeding coach along with members of the Gabay at Kalinga ng mga Ina (fellow Paulinians Meran Daza Umali, Connie Estrada Calimon). Such was her commitment to the Our Bodies Ourselves movement that I was so infected with wanting to give my daughters nothing but breast milk in their early years. I practiced tandem nursing. I weaned each child from the breast at age three. It got to the point that Gilda Cordero Fernando asked me, "What else are you doing when you're not busy being a cow?" Mercy was in that phase of my life quietly supportive.
As she was when it was Kimi's turn to carry her child Kai to full term. After an uneventful birth, Mercy and I referred to Kai by the possessive OUR apo. It was at this point nine years ago when we became closer. She was a regular paying supporter of Pablo Tariman's intimate concert series at the former Kiss the Cook Gourmet on Maginhawa Street and later at Balay Kalinaw, UP Diliman. At the end of each event, she'd inquire, again in that concerned way of hers, if the concert organizer broke even. Most times, he didn't, but he'd reassure her, "Life is beautiful."
She became part of what I called the opera barkada, a group of retired and semi-retired friends that enjoyed the classics, mostly performed at the Ayala Museum lobby. Usually coming from the Diliman campus, she took the MRT to SM Makati, then walked towards the museum. Or she'd take the Point to Point bus to and fro. Such was her enviable stamina--this woman who was part of a walking group also around the UP Oval.
At the end of the Mario Lanza recital produced by Joseph Uy and Al Andres Andres at Ayala Museum. Seated is soprano Stephanie Anne Gastrock Aguilar. Standing from left: the two Jennys, Jenny Juan and Jenny Llaguno, Marne Kilates, Babeth, Nympha Sano, Mercedes Fabros, Grace Banez, Melendre Araos and Gabriel Allan Ferros Paguirigan. At the back is tenor Mher U. Nival.
At the closing rites of Dame Nelly Miricioiu-Kirk 2015 masterclass at the Ayala Museum. From left: Mercedes Fabros, Jenny Juan, Nelly and Babeth trying the open back position earlier demonstrated by the diva.
Fortieth day following the death of sculptor Jerry Araos at the Garden of Two Dragons in Antipolo City. Seated: Babeth, Bani Lansang and Princess Nemenzo. Standing are Stef Sano, Steve B. Salonga, Victor Corpus, Pablo Tariman and Mercedes Fabros.
That rare occasion when Mercy Fabros wore eye shadow as a nod to the costume party/ball that marked the vernissage of Gilda Cordero Fernando's 2014 show "Same Difference: Ganon pa din ang diperensya" at Silverlens Galleries. From left: Anna Leah Sarabia, Mercedes Fabros, Babeth and Rolly Fernandez
Mercedes Fabros (right) could be counted on to turn up at friends' milestones, in this case Sinag De Leon's and Babeth's joint art exhibit in November 2018 at Gourmet Gypsy Art Cafe. From left: Anna Leah Sarabia, Sheila Nicolas, Bobbie Malay, Virginia Moreno, Melendre Araos, Fe Mangahas, Barbara Mae Dacanay, Jenny Juan, Sinag and Mercy.
Post-intimate concert at Balay Kalinaw. Mercedes Fabros lent her presence again. From left are Lorna Kalaw Tiro, Anna Leah Sarabia, Neni Sta Romana Cruz, Ivi Avellana Cosio, Maria Karina Africa Bolasco and Sheila Coronel. I am seated with Mercy's eldest grandchild Alon.
From March 9 to 11 of 2015, we sat together at an Ayala Museum function room as Romanian-British diva Nelly Miricioiu-Kirk conducted a masterclass for Filipino singers. Mercy explained, over lunch at Dulcinea's to which she treated me, why she was present for consecutive days after seeing Dame Nelly already perform at the Meralco Theater, "This is my birthday gift to myself." We both believed Nelly was not just an excellent vocal coach but a practical life coach for people like us.
Furthermore, we witnessed with our eyes and ears the big difference the singers made once they went through the hands of Nelly.
Mercy's death is still weighing a ton on me, a mere mortal who can't be brave in the face of loss. The tears I cried earlier have stopped, but the mourning hasn't. The months April and May have been personally cruel as one friend after another was stricken and called home. Home to where "mercies are new every morning."
Thursday, March 18, 2010
Ka-womenan Para Kay Danny Lim

At first, I declined the invitation sent via my Facebook inbox—I wanted Wednesday (yesterday) devoted entirely to painting. The organizer understood and didn’t push me anymore.
A dear friend I see off and on (meaning, rarely and in short spurts) was attending, and she said I ought to go. The possibility that we can kick off our slippers and chat immediately after the official agenda of the meeting was taken up still wasn’t enough to persuade me.
But on Tuesday, Princess Nemenzo, activist for life, went on a texting brigade. That clinched it. I can never refuse this woman. I put the paints, brushes and pieces of canvas paper aside and prepared for the luncheon meeting at the home of lawyer Deng Cordero Tan.
Something electric happens when women get together. Literally, there’s more static in the air from all that energy (and these are women mostly in their 50s; Princess is 70—she has never hidden the fact). There’s more laughter, more irreverent humor that would make our partners and husbands jump out of their skin.
Deng detailed everything in her head to ensure everything was covered, including requesting the neighbors’ carpenters to kindly refrain from hammering from 12 noon to 2 p.m. while the meeting was going on.
Very briefly, Danny Lim is a political prisoner under the Gloria Macapagal-Arroyo administration. In my head, he is simply Danny Lim because years of a spoiled, politicized military (no thanks to the Marcos dictatorship) have made me leery of men in uniform who have the impunity to run for public office like Butcher Palparan.
But political imprisonment in the Lim case is borne out of his belief in a just, civil, democratic society, not a longing for a banana republic where colonels and generals hold sway.
The idea that women of the caliber of Princess, Deng, Aida Santos, Mercy Fabros, June Rodriguez, Gou de Jesus, Susan Tagle, Marianita Villariba, Mari Santiago are keen on seeing Lim enter the Magic 12 in this year’s senatorial elections overturned my entire perception of what a military man is.
A personal note: My father Enrique CariƱo Lolarga Jr., a physician surgeon, and his younger brothers Ernesto or Esting, an ROTC instructor, and Celso, a businessman-school administrator, were in the reserve corps of the military. But they belonged to the era of officers and gentlemen. Before they died, my father and Uncle Esting left instructions that they be garbed in their Boy Scout uniforms in their coffins. Uncle Celso chose to be in his Demolay or Mason outfit.
My perception changed with martial law and the military adventurists who tried to destabilize the Cory Aquino government in the 1980s.
Just who is Danny Lim, and why is GMA afraid of him that in his detention cell at Camp Crame, he is not allowed to read newspapers or magazines? There’s a TV set there, according to the women who’ve visited him, and he is allowed to have a cell phone but not to use it for patched interviews.
In earlier surveys, Lim had done well, earning as high as 16 percentage points. The sample size in these surveys shows that people know who he is and what he stands for: anti-graft and corruption, education, health care reform, peace and order, food, energy sufficiency, agricultural modernization, national industrialization and electoral changes.
He was among those who joined groups from different sectors in their call for GMA to resign because of electoral fraud and graft and corruption. He was thrown in jail for this after The Peninsula Manila stand-off where the Armed Forces showed its capacity for overkill by unnecessarily smashing one of the glass entrances to the hotel’s fabled lobby, sending scores of sharpshooters dressed to kill to arrest the protesters gathered in a function room, including the media covering the event.
Deng said, “DL (the candidate’s initials) has been consistently slipping down because he has no TV ads.” With her enormous capacity for fund-raising, she will try within this campaign period to find the P16 million needed to buy radio-TV ads to run in the major networks for 48 days at the rate of thrice a day. The P16 million is already an advertiser-supporter’s heavily discounted rate.
The short TV ad will present Lim as a sundalong matapang na di sinuko ang prinsipyo, sundalong sumalungat sa kasalukuyang administrasyon (a brave soldier who did not surrender his principles, a soldier who defied the current administration).
As the women who’ve visited him described his simplicity and his off-the-cuff remarks to them, a catchy sound byte emerged. At one point, Lim told them after he was asked what he would do if he was freed and allowed to serve in a public position, “What I started, I will continue. I’ve been consistent all my life. Kung ginto ako, itapon mo ako sa putik, ginto pa rin.”(The last sentence in Filipino loses its strength in translation.)
As the campaign heats up this long hot summer, Lim will have to learn to say more palpable things on issues close to our hearts such as human rights, including lesbian-gay-bisexual-transgender rights, strengthening the economy so it is not buoyed mainly by dollar remittances of overseas Filipino workers and the call center industry, the neglect of cultural workers, the best of whom we are exporting to, among other countries,"Hong Kong Disneyland," in Gou's words.
Another woman friend, Mia Protacio, a lighting designer and singer, wrote me after Cory Aquino's death this observation. We hope Lim will take these words to heart: "For me, the greatest outcome or effect of Cory's passing away is that it has made Filipinos embrace genuine and lasting values such as simplicity, spirituality, humility and purity of heart as opposed to the other qualities of supposedly successful or 'high-powered' individuals whom we normally idolize. A paradigm shift has occurred in the way we Filipinos revere greatness. Great now means simple. Great means humble. That is her true legacy."
And, if he will heed the women's suggestion, Lim will have to dump his general's uniform and change into civvies in his campaign pictures.
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