How wonderful to listen to jazz, at last, in a cool, enclosed space. Because of a strict anti-smoking ordinance in Makati City, there was no cigarette smoke fogging up Merk’s Bar/Bistro in Greenbelt. Nor were there distractive customers chatting away while the performers of the caliber of Richard Merk and Jacqui Magno did their thing.
A great noblesse oblige gesture Richard did by being the front act of the still magnificent Jacqui. She was stalled by traffic caused by the on-and-off downpour Wednesday night. The audience of jazz aficionados waited for her and drank bottle after bottle of their favorite poison.
Richard, seated on a stool to forget the pain caused by a sprained toe, set the mood right away with songs I have not heard sung live for quite some time: “East of the Sun, West of the Moon,” “A Foggy Day,” “It Had to Be You,” the even more rarely heard “It Could Happen to You,” the theme from the Nicholas Cage-Bridget Fonda romantic comedy of the same title, “Laura,” “Lullabye of Birdland,” “C’est si Bon” and “All of Me.”
I might’ve missed a song or two because my friend Anna Leah Sarabia and I came in a little past 9 p.m. Nevertheless, Richard’s unrehearsed asides about the songs were informative. The ballad “Laura” had been interpreted by Frank Sinatra, Sammy Davis Jr., Tony Bennett before and Richard surmised that this mysterious woman must’ve been so special based on the lyrics alone: “the face in the misty light,” “she gave her very last kiss to me—that was Laura but she’s only a dream.” He found it ironic that one so special should turn out to be just a dream.
Anna looked around us and saw a couple of children. “You see,” she said, “jazz is now considered safe music. You can bring along your kids and dance.”
When Jacqui strode onstage in her fuchsia and black caftan, there was no taking our eyes off her. Talk about stage presence. And all those eight de-lovely songs she meltingly interpreted! I almost swatted away an old classmate from my St. Paul College days who suddenly re-introduced herself and was eager to chat—she got in the way of my fuller appreciation of Jacqui’s “Here’s That Rainy Day.” Some other day, Jojo Juan.
And on to “Gingie,” a snappy, danceable “Fool on the Hill” accompanied with scatting, her signature “Bridges,” which, according to Anna, the singer used to close her club gigs at Birds of the Same Feather, “Evergreen,” “Our Love is Here to Stay,” “The Very Thought of You” and “How High the Moon.”
In “Our Love is Here to Stay,” Jacqui improvised a couple of times to update the song a bit: “…every IPod and the movies that we know are just a passing fancy and in time they go…”
The weather that night was, as she accurately observed, great for "snuggling, spooning, crooning or just reading a book." Not for me though. I was infected with the second-to-the-last and the last song syndrome all the way home.
Jacqui returns to Merk's, Greenbelt 3, on June 17. It's Pat Castillo's night on June 10. Expect two middle-aged groupies to again sip their vodka while nodding their heads to the beat of jazz.
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