But the delight was her new hairdo, or shall another friend Amadis term it a hair don't? It's a departure from what her audience, family and admirers are used to. Her shoulder-length tresses have made way for a radical cut. I told Pablo she looks youngish, he said she looks 16 again.
She will win a new audience, and this audience will crave for nothing less than great playing in the future, when she returns here for her one-night evening performance with fellow great dames Lisa Macuja-Elizalde and Lea Salonga, and a series of provincial engagements. The latter concerts are actually more exciting to watch--the audience is quite sincere and spontaneous in their appreciation, even from the first movement alone.
And there's another fan like us out there, who now doubles as correspondent. Doc Lara Halili has followed a number of Cecile's performances all over the States.
So apres vous then, Pabs.
______________________
Licad triumphs anew in Santa Fe
By Pablo A. Tariman
Pianist Cecile Licad -- playing as soloist of the Santa Fe Pro Musica Chamber Orchestra under Thomas O’Connor-- practically reprised her Moscow triumph when she played Brahms Piano Concerto No. 1 in D Minor, Op. 15 at the 820-seater Lensic Performing Arts Center in this city to a rousing standing ovation last January 27.
It is the same piano concerto that got the Filipino pianist her first standing ovation in Moscow in April last year with the Russian State Orchestra.
The following day (January 28), she figured in a solo recital and got the same standing ovation from an audience earlier entranced by her Brahms concerto.
One of the few Filipinos in a predominantly American audience was Dr. Lara Halili, a certified Licad fan who filed a 6-day leave of absence from her hospital work to watch Cecile Licad.
“One of the rewards of leaving your work to watch a great Filipino pianist perform in a foreign land is that you are virtual witness to the fact that she is well-loved by audiences not just in her native country,” said Lara who couldn’t believe the awesome audience response.
Licad admitted to her Filipino fan the Brahms concerto is one of the toughest in the repertoire. “Playing that is like climbing a mountain but you are instantly rewarded because the music is so profound,” she told Lara who watched the Licad concerts for two successive nights.
Lara noted that she could literally hear a pin drop in the concerto’s second movement with a super attentive audience stifling their coughing for that rare Licad magic.
“It was a great night,” added Lara. “I was particularly moved to tears by the concerto’s second movement.”
Licad is headed for the Philippines next month before her Boston engagement to perform with Philippine Broadway star Lea Salonga and prima ballerina Lisa Macuja Elizalde with conductor Gerard Salonga and the Filharmonika orchestra on March 17, 2012 at the CCP main theater.
Meanwhile, the two latest CDs of Licad with celebrated German cellist Alban Gerhardt – Casals Encores and Faure cello Sonatas -- continue to receive rave notices.
British music Andrew Clements wrote that Alban Gerhardt's account of Fauré's two cello sonatas, both late works, repay careful listening. “Like the works themselves, his playing and that of the pianist Cecile Licad is full of subtleties, the half-tones and inflections that make the chamber music of Fauré's final decade so elusive and fragile. Nothing here is forced or made to conform; whether it's the urgent outpourings of the first movement of the D minor Sonata Op 109 or the utterly different slow movement of the G minor Op 117, the pacing seems perfectly natural, the colouring distinctive.”
Another British music critic, Jeoffrey Norris, wrote : “A gorgeous performance of the well-known Élégie comes as the first of the five ‘encores’ on this magnificent disc devoted for the most part to Fauré’s two cello sonatas, the D minor, composed in 1917, and the G minor from 1921. The passion and sorrowful rapture that Alban Gerhardt and Cecile Licad bring to the Élégie are complemented by the yearning ardour of a Romance, the virtuoso flutter and bustle of Papillon, the lyrical sweep of the Sérénade and the delicate lilt of the Sicilienne, which is also familiar in orchestral guise.
“This disc follows on from various other, highly distinguished recordings that Gerhardt has made for Hyperion of repertoire ranging from Alkan to Schnittke and Shostakovich, from Chopin to Prokofiev and Reger, and, most recently, of encores made famous by Pablo Casals (CDA67831), on which Gerhardt also teamed up with Licad. They make a particularly fine duo here, working emotionally in unison, sensing the music’s contours with like mind, breathing as one.”
Cecile Licad performs with Philippine Broadway star Lea Salonga and Filipino prima ballerina Lisa Macuja Elizalde on Saturday, March 17, at the CCP Main Theater.
Licad will have two solo performances in the provinces on March 22 at the Holy Angel University in Angeles City and March 27 in Cebu City. Her Pampanga and Cebu program features: Chopin’s Polonaise-Fantaisie in A-flat major, Op. 61; Three Mazurkas op.56;. Andante spianato et grande polonaise brillante in E-flat major, Op. 22 and Liszt’s .Miserere du "Trovatore" de Verdi – Paraphrase de Concert and Après une Lecture de Dante: Fantasia quasi Sonata Call (02) 7484152 or 09065104270.
All photos by Dr. Lara Halili
Reposted with author's permission from Munting Nayon News Magazine
No comments:
Post a Comment