Feedback

Artists and would-be artists don't just live on the occasional sales alone. We also like to receive feedback from the audience. I was able to get some--naturally they're from friends who dropped by the ongoing exhibition "Sampayan Blues" at the Sanctuary Gallery of Maryknoll Ecological Sanctuary in Campo Sioco, Baguio. The show is still up until Nov. 14.

Some other friends couldn't make it up (that's too much of an imposition on them), but I shared my photos of the works. Feedback they were generous with. It was enough to keep my going until I decide to return to my paints and brushes and paint for a future show and cause.

Thank you, Universe, especially for the gift of friendship that includes the virtue of encouragement.

"Kai's Magical Day," acrylic on canvas paper, collection of Robert Abaño.

Hello Babeth,

Saw your exhibit yesterday at Maryknoll. Your works are very original and different, never boring and very witty!

Congratulations! My favorite is the one with a vase and a sun on the upper right corner. Parang playful na van Gogh. :-)

Keep on painting and have a beautiful day ahead!

Lingling Maranan-Claver

"Poured My Heart Out and This Is What I Get," mixed media on canvas paper

Hi Babeth we really enjoyed your exhibit even if Dan and I were the last-comers. Ang ganda talaga! Remember nung nasa fine arts pa tayo, you used to tell me, pano ba gagawin ko sa drawing ko, walang depth. Sabi ko sa yo nun, ano ka, maganda nga e, parang folk art. Ngayon, hindi ka lang folk art, a la Picasso ka na! Gusto ni Dan yung geisha, at ako gusto ko nung Poured my heart...

Mina Rimando

Top: "Finding My Sea Legs"; bottom: "Fish for Dinner," acrylic on paper, collaborations with Kai Fernandez

Thank for sharing the fotos of the paintings in your exhibit, and the sentiments that went with the preparations for the exhibit, with your usual exquisite writing.

Your paintings are wonderful, with a wonderland look and feel about them, and yet with social messages that can't be missed.

Cora Patarata

"Light as a Kite My Angel Feels," acrylic on canvas paper

Babeth,

Congratulations on your current solo exhibit!! Too bad I couldn't make it to Baguio to see those works first-hand. I was left pondering and anticipating with trepidation, Lando's would-be handiwork as it wound its way across my own part of the north. I was also wondering how it would affect your scheduled opening. But thank God our place was spared the worst, and your exhibit too, went on as announced!

You make it so easy and uncomplicated, talking about the process of creation in your statement. I am sure a great deal of thought and planning went into it. And the seeming uncomplicatedness is what endears those works to us, your readers. I personally like the honesty and the child-like touch that infuse those pieces.

Here's to more works in the offing!

Al Vicente

Congratulations, Babeth! How your imagination flies (taking us with it)!

Hugs,
Princess Nemenzo

Elmer's feast

The cover of Elmer A. Ordoñez's Snows of Yesteryear: A Family in War and a Sentimental Education, an "autobiography disguised as a novel."

The last day of January 2015 was a double book launch day in different parts of sprawling Metro Manila. There is no longer a sleepy hour in terms of road traffic on EDSA. There was the fiction anthology Fast Food Delivery at Greenbelt 4 Makati City at 3 p.m., then Snows of Yesteryear at Solidaridad Bookshop in Ermita at 5 p.m. By 12 noon in Sison, Pangasinan, where the Victory Bus I was riding in en route to Cubao from Baguio City made a 15-minute pit stop, I decided I'd just head straight to Dr. Ordoñez's launch and buy my copy of Anvil's FFD another day.

I had only one body, which was still in recovery from surgery, and I could only manage an event at a time. It was a wise decision, considering I had my backpack on my back, a walking cane on my left hand, a bag of 40 pieces of brownies and two Mario Parial paintings that my husband Rolly had carefully packed in preparation for a Parial retrospective where they would be included. Eeek! Bag lady forever!

But the gods and goddesses of literary Olympus looked kindly on this traveler. I entered Solidaridad past six and climbed its two flights of stairs to catch Dr. Ordoñez fielding the last two questions from the audience concerning his latest book.

I make it a point to be at friends' book launches. I know the difficulties writers go through in order to write, to support writing, to finish a manuscript and to find a publisher. When others try to inveigle me to be involved in so-called "book projects" with an eye on a launch day, I pull back, decline politely (on rare times, impolitely, if the "client" is over-demanding). A book is a work of love; one's life, one's strife, one's passions and convictions are in it. It cheapens the writer if demands on meeting strict deadlines so a book party can fall on a propitious date are made.

I'm glad for the cool, laidback Prof. Ordoñez. He finished his manuscript, then saw it in printed form after turning a young 85 in December. The good news is he has another book in the back burner. I say, "Bring it on" and "More power to prolific octogenarians!" Thanks for setting such a fine example, sir.

P.S. Puwede bang bumati? Mila D. Aguilar, thank you for seeing me to my door. I love a writing community, especially one that looks out for the members' health and safety.

The author whose book's title comes from French poet François Villon's line "Where are the snows of yesteryear?" In Dr. Ordoñez's case, he refers not only to "those wintry times in foreign climes, but on a life--from early years in Manila and Pasay, the war years, and my intellectual formation through adulthood, marked singularly by struggle for a just, democratic and sovereign country..." Photos by Babeth Lolarga

That's my kumpare Amadis Ma. Guerrero on the right, I suppose doing a shotgun interview of the book author.

Happy also to see another former colleague, friend and lover of letters Alejandrino "Al" Vicente who's also in the midst of writing a collection of short fiction (or is it a novel?).

National Artist for Literature F. Sionil Jose and wife and muse Tessie also have reason to celebrate because their bookshop turns 50 years old in June this year.

The author's political color is evident in his guests who turned up last night: Ka Bobbie Malay and her mahal, Ka Satur Ocampo.

I get my chance to pose with the man who wrote a generous intro to my third poetry book, Big Mama Sez: Poems Old & New. Thanks for this memento, Geraldine C. Maayo, a devoted student of Doc Ordoñez.

Doc signing my copy