Showing posts with label Bayan Ko. Show all posts
Showing posts with label Bayan Ko. Show all posts

Wednesday, August 5, 2009

Perfect Timing


On July 26, 1984, a singing quartet serenaded a newly married couple, one Babeth Lolarga and one Rolly Fernandez, at their reception at Nielsen Tower on Makati Ave. The musicians just rendered two songs: "Bayan Ko," which moved their godfather Armando J. Malay to stand up and raise a clenched fist all throughout the singing, and "Tie a Yellow Ribbon 'Round the Old Oak Tree," a lighthearted ditty that took the edge off the first song.

Forward to the same day and month 25 years later. There were more than 25 songs sung that evening at Cafe Juanita. Days before, the fretful newsman in Fernandez worried that GMA might just spoil everybody's plans, including ours, by declaring a state of emergency at her hopefully last SONA. His fear never came to pass. But six days later, the death of Mrs. Aquino began galvanizing Filipinos again to unite against injustice, corruption and the assorted excesses of GMA. And once again I see yellow ribbons wherever I turn--around pine trees, at the Volante Pizza parlor's posts, etc.,--and the cheesy song about receiving a letter telling me I'll soon be free is so very in again.

One of our anniversary singers, journalist Vergel O. Santos, once winked at our First Draft group of women writers, saying: "Don't you just think that getting married is all about perfect timing?

These poems from Edel Garcellano's blog www.theworksofedelgarcellano.wordpress.com do not quite follow the line cuts he did. My stubborn computer refuses to follow the cuts and stanzas that Edel used to fashion these three verses. So they appear here like prose poems (sorry about that, Edel):

7.

A.
Anniversary


In a cafe, 
they are all smiles
 as she confides 
over the microphone
 she & her groom 
leave well enough 
each other alone – 
neither too near
 nor too far –
 unlike igneous rocks 
that upon close contact 
spark a fire.
 Goethe’s
elective affinity of desire? 
This: 
the secret of the feast
 that stood the text 
of their own conjugal times.
 & If the merrymaking 
among friends,
 who open doors
 for the bride’s flair,
 tells a story 
for all to learn,
it must have been
 Solomonic 
for a bonding
 to steer clear
 of short-lived passion,
embracing instead
 the cool danger
 of reason.
 Gold medal
 for him 
visible with ascetic grin?
 Applause for her 
who collates goodwill
 of kith & kin?
 A toast to hearts 
who beam
 at the fairy tale
 rendition 
worked out 
with delicate precision.

B.

At 11pm 
the celebration 
was almost 
done
 but the singers 
were still belting out 
nostalgia 
as if they had 
just begun
 to feel the heat
 of fun.
 Outside Cafe Juanita
 of post American
 Tertulia,
vibrant 
with old world air
 & yellow lights
 from lamps 
wrapped by 
silk gowns,
the rain had stopped,
emitting a scent
of late-night 
cool.
& after the formal
 settling of the bill,
 rearranging of chairs,
plucking of wine bottles 
off the tipsy tables, 
the couple 
would drive home
 a few blocks away, 
as if overwhelmed
 by love’s 
strange declaration.

C.


They came,
singly or in packs, 
to be with the couple
 despite the heavy 
rain.
 They, who stood 
through thick & thin 
of accounted years:
 laughed at the same
 tried jokes;
 exchanged warm toasts;
 heard the chorus
 of ersatz troubadours 
that drew 
the night to a close.
What is there
 to expect 
after the celebration 
of beatitudes?
 Another 25 years
 of magical struggle
 & passionate hope.

Photo by ANNA LEAH SARABIA.

Saturday, June 13, 2009

Bayan Ko in English

With the kind permission of poet Edgar B. Maranan, I'm reproducing his English translation of the nationalist's favorite, "Bayan Ko."

Bayan Ko (1929)

(Lyrics by Jose Corazon de Jesus, music by Constancio de Guzman)



Ang bayan kong Pilipinas

Lupain ng ginto’t bulaklak

Pag-ibig ang sa kanyang palad

Nag-alay ng ganda’t dilag

At sa kanyang yumi at ganda

Dayuhan ay nahalina

Bayan ko, binihag ka,

Nasadlak sa dusa.



Ibong mang may layang lumipad

Kulungin mo at umiiyak

Bayan pa kayang sakdal dilag

Ang di magnasang makaalpas!

Pilipinas kong minumutya

Pugad ng luha ko’t dalita…

Aking adhika

Makita kang sakdal laya!




In the book Bayan Ko! Images of the Philippine Revolt, published soon after the “People Power EDSA Revolution” of 1986, an English version of the song accompanies the original Filipino lyrics of Jose Corazon de Jesus. This translation by Ed Maranan -- with the title My Country -- is different from other existing translations because it can be sung in English, following the melodic line of composer Constancio de Guzman. A revised version of the translation appears in Dream Chasers, the Grade V reader in Anvil Publishing’s Our World of Reading series.




My Country (1986)



Philippines, my country, my homeland

Gold and flowers in her heart abound

Blessings on her fate did love bestow

Sweet beauty's grace and splendor's glow.

How her charms so kind and tender

Drove the stranger to desire her...

Land of mine, in fetters kept,

You suffered as we wept.



Birds that freely claim the skies to fly

When imprisoned mourn, protest and cry!

How more deeply will a land most fair

Yearn to break the chains of sad despair.

Philippines, my life's sole burning fire,

Cradle of my tears, my misery...

All that I desire

To see you rise, forever free!