It seems Mary Grace is the bakery-restaurant of choice among friends who agree to meet at either Greenbelt Makati or Trinoma, the Ayala mall in Quezon City. When I'm early and waiting for my lunch companions, I like reading the little handwritten stuff under the glass-topped tables. I've often wondered if those are real notes addressed to real persons or they were just made up to add to the place's homey ambience.
While looking at these photos, the first taken sometime August, the other just at the close of this past month, I noticed how I ballooned and grew in heft. Well, you caught me there--enjoying once too often Mary Grace's deceitfully lightweight ensaymada and cheese roll!
With Pablo Tariman, Vergel Santos and Chit Roces Santos
Even Althea Sarmenta seems to say of Mary Grace, "I love you this much!" Others in picture are former colleagues and lifetime friends Bob Navarro, Amadis Ma. Guerrero, Cynthia Alberto Diaz and Althea's dad Joel.
Showing posts with label Chit Roces Santos. Show all posts
Showing posts with label Chit Roces Santos. Show all posts
Tuesday, January 5, 2016
Saturday, October 10, 2015
Casting tensions, anxieties away in this beach house
Wednesday, December 17, 2014
Girlfriends' night
I've traveled miles to attend First Draft meetings, and even arrived once from an overseas trip, woozy from jet lag but still able to listen to my wise elders with some mindfulness.
Karina Bolasco and I are the "babies" in this group of women who write and like to share their works by reading them aloud for critique. I write "babies" because after me, the next lady is in her mid-60s. The eldest is forever 84.
We used to meet six times a year, but that petered out when each got involved in this or that. But the raison d'être for a group like this has been met--we're all engaged in and committed to writing. And we write not for livelihood reasons alone. To use another friend's term, writing has become a "lovelihood".
Rita Ledesma had been our gracious Christmas host for many years. December is when she brings out her best china, the best cuisine and desserts that she has tasted and now wants to share this delight with us. We exchange gifts (an option) and have a non-negotiable bunutan or mini raffle. This year we missed the company of Mariel Francisco, Melinda de Jesus and Lorna Kalaw Tirol, all fulfilling family duties. I know there's a next time with them.
If my pictures are fuzzy, maybe it's because I look at these women through the eyes of love.
Karina Bolasco and Gilda Cordero Fernando
Chit Roces Santos, Edna Manlapaz and Fe Arriola
Fe and Rita Ledesma
Karina Bolasco and I are the "babies" in this group of women who write and like to share their works by reading them aloud for critique. I write "babies" because after me, the next lady is in her mid-60s. The eldest is forever 84.
We used to meet six times a year, but that petered out when each got involved in this or that. But the raison d'être for a group like this has been met--we're all engaged in and committed to writing. And we write not for livelihood reasons alone. To use another friend's term, writing has become a "lovelihood".
Rita Ledesma had been our gracious Christmas host for many years. December is when she brings out her best china, the best cuisine and desserts that she has tasted and now wants to share this delight with us. We exchange gifts (an option) and have a non-negotiable bunutan or mini raffle. This year we missed the company of Mariel Francisco, Melinda de Jesus and Lorna Kalaw Tirol, all fulfilling family duties. I know there's a next time with them.
If my pictures are fuzzy, maybe it's because I look at these women through the eyes of love.
Karina Bolasco and Gilda Cordero Fernando
Chit Roces Santos, Edna Manlapaz and Fe Arriola
Fe and Rita Ledesma
Sunday, July 13, 2014
My incredible week in review
Waya Araos-Wijangco, Jerry and Melen's eldest daughter, with her niece and everyone's fave little girl, the sociable Amarra Araos Encabo
Old ties renewed: Host Doc Melen, writer Gemma Corotan-Kolb stand behind Nympha Saño, who Odette Alcantara used to call "Nymphette", and a blogger who has adopted the babushka look (coming soon, when her budget finally allows, peasant blouses)
The week of July 7 to 10 will be recorded in great detail in my personal diary as a very full one--the jingle lang ang pahinga kind of week that has taken a toll on a bum knee. The Sunday began with a visit to the Araos family, a hi and a ho to remember Jerry by. He would've been 70, a milestone year.
While I was there, Melen and youngest son Julian brought out some bubble-wrapped paintings that are bound for Florida, the US of A (not Florida Bus Lines). These were gifts to Jerry when he was hale, hearty and the biggest "encourager", after my husband Rolly, when I returned to art school. He saw to it that I would exhibit with his art guild Salakai in one of the biggest simultaneous art show events at the old SM Megamall Art Walk in May 2007 (them were the days when the SM chain of malls still had a veneer of credibility). These works haven't been exhibited; they were personal gifts to JVA's family. Now Jerry and Melen's youngest daughter Mira, who's infanticipating, will hang them in her nursery.
It just occurred to me now that these works remain untitled. So, Mira, it is with extreme pleasure that I give them the "names" they need for after all, they are the babies of my mind, heart and hands. Dear Mira, these are all the "authentication papers" you'll need.
"C Is for Crabs, C Is for the Cancer-borns" (Jerry, Mira and I are all born under the zodiac sign of Cancer.)
"Tea Time for Stones and Two Jars"
"Cubes, Ovals and a Ripe Orange"
After Jerry died, Melen said when she met my grand-daughter again two years after she delivered Kai/Butones that she hoped Amarra and Kai would become friends. This is to continue the deep ties of the Araoses and Lolargas--what Jerry had written in the past about how our families are intertwined. But due to geographical reasons, it may be Amarra and my grand-niece Machiko Skye Lolarga Susi (right) who'll hit it off. Max, as the family calls her, is, like Amarra, an Antipolo resident.
Monday, the seventh of July, was Maestro Darrell Ang day. When he arrived at NAIA the day before, Joseph Uy, consultant of the Manila Chamber Orchestra Foundation, who was there to welcome him, texted immediately: "Ma'am, Darrell is now here. He's gorgeous. You'll like him."
I texted back: "Baka naman himatayin ako!"
Joseph: "Don't worry, Ma'am, I'll catch you."
That's what I love about Joseph. He has this deadpan humor, and he doesn't add cheesy smiley emoticons on his messages the way I always do.
I had to give up a ladies' lunch (postponed for the nth time) for this coverage for Vera Files. I always am thankful for good, kind cab drivers, even the talkative ones, who bring me to my destination and back to the house without incident. I can't tip them anymore, but if there's an anti-hypoglycemia pack of sugar-free anything (mints, candies, cookies), this goes to the driver of the moment. Better than a tip because their faces light up when they say: "Mommy, solved na merienda ko." With the babushka look, they initially speak in English and ask from what country I am. Naks! I'm inclined to say Greece or Ukraine, but I don't want the discussion to get political and complicated so I quickly confess I'm Pinay and I have a pangit haircut to hide which is true. The barber (yes, barbers are cheaper than salon hair stylists) is still alive, by the way.
Group shot around Maestro Ang (seated second from right between classical music blogger Andrian Lontoc and a babushka) at the Makati Sports Club. Others in photo are Jasmine Cruz (bending left) of BusinessWorld, Baltazar Endriga, chairman of the board of the MCO Foundation, Ellen Tordesillas of VERA Files, Malaya and Abante, and Allan Pastrana, contributing writer of Philippine Daily Inquirer and a teacher at Miriam College. I told Mr. Endriga it must be nice to called Chairman of the Board like Frank Sinatra. His quick reply: "But he was Sinatra, and his friends in the Rat Pack were all millionaires! I'm not."
Tuesday I filed my story only to learn that the Vera Files site had been spammed and hacked.
Wednesday was teaching day--the first time I went to school accompanied by a yaya, my mom's. Never, not even in my nursery and kindergarten years, was I ever accompanied by a yaya to school. But this time, someone had to help me carry my students' notebooks (the equivalent of theme notebooks in my high school years), other teaching materials, my umbrella and backpack of personal stuff.
Should I also be grateful for over-frank students who ask for my exact age, what the matter was with me and if I'll be due for retirement soon because of disability? One asked, "If you're sixty by next year, will you have to go? And if you do, will they dissolve CW (creative writing)?"
My answer was diplomatic: "When the time comes for me to leave school, someone will take over. No one is indispensable in any organization."
Thursday, oh my! It was La Gilda Day, her vernissage at Silverlens Galleries in Makati, but I'll reserve a full-length account of that wild evening for another outlet. I wanna share this precious pic of funny girl Chit Roces Santos who's always Not Quite There and her babushka pal. I asked what did she come as. She said, "Masahistang bulag!" We sat together for a bit by the registration table at the entrance, and I said, "If people ask, you're my caregiver. Class ako ngayon--tisay ang yaya ko!"
Chit and blogger
Don't even talk of Friday because from the moment I woke up with my husband by my side (a rarity when I'm in Manila), I was in a go-go-go mood. His idea of a treat was to cover all meals in one blow--yes, a luncheon buffet that started at 11:30 a.m., ended at 2 p.m., 15 minutes before all the stations closed. He seemed insatiable and steadily ate through plates of sushi, sashimi, chorizos, three flavors of green ice cream, halo-halo with just the sangkap, not the ice and milk, buko pandan, mango sago, all downed with beer. I was waiting for him to turn comatose before my eyes, but it was I who got sleepy from just two plates of sushi.
What woke me up was when the waiters started singing table to table where a birthday celebrator was seated. They were a threesome: guitarist, a maracas and a tambourine player. One of them carried a portable sound system. I envied the tables that had a celebrator each so when our neighbors enjoyed the birthday song plus another pop hit, I asked if anniversaries were counted (our 30th was coming up in a few days). Yup, they "performed" anniversaries, too. A waiter proceeded to fetch this huge tarpaulin with "Happy Anniversary" writ large. When the singing started, I felt an instant shot of adrenalin. It was my cue to rise with my cane, sit on Rolly's left leg and do a lap dance. Guess who walked with a limp after? And the song we were serenaded with? "Kahit Maputi Na ang Buhok Ko!"
Old couple marking their Pearl Anniversary with a cheerful photo bomber behind them. I'm pretty sure that if I die ahead of him, Rolly will miss me acutely because of moments like this one and thus forgive my past transgressions.
Hubby and I capped date night at the Mostly Mozart 2014 Festival. Knowing what a screeching, shameless fan girl I am when the gods and goddesses descend from Music's Olympus, Rolly kindly took my photo by the grand piano with an Adonis, Maestro Darrell Ang.
As if all those activities weren't enough, I met some of my CW students yesterday, a Saturday afternoon, at the entrance of the Ayala Museum for a field trip. They not only visited the permanent diorama and the Fernando Zobel retrospective, they were present for Dr. May Jurilla's lecture-presentation on "Romancing the Book." My instruction to the kids was to listen well so they could ask one well thought out question each. In the end, only three overcame their shyness to raise their hands during the open forum.
One, two, three: Hashtag Ayala Museum!
Photos by Angel Reyes Nacino, Babeth and Suzy Lolarga, Maite de la Rosa, Rolly Fernandez and others like another restaurant customer
Old ties renewed: Host Doc Melen, writer Gemma Corotan-Kolb stand behind Nympha Saño, who Odette Alcantara used to call "Nymphette", and a blogger who has adopted the babushka look (coming soon, when her budget finally allows, peasant blouses)
The week of July 7 to 10 will be recorded in great detail in my personal diary as a very full one--the jingle lang ang pahinga kind of week that has taken a toll on a bum knee. The Sunday began with a visit to the Araos family, a hi and a ho to remember Jerry by. He would've been 70, a milestone year.
While I was there, Melen and youngest son Julian brought out some bubble-wrapped paintings that are bound for Florida, the US of A (not Florida Bus Lines). These were gifts to Jerry when he was hale, hearty and the biggest "encourager", after my husband Rolly, when I returned to art school. He saw to it that I would exhibit with his art guild Salakai in one of the biggest simultaneous art show events at the old SM Megamall Art Walk in May 2007 (them were the days when the SM chain of malls still had a veneer of credibility). These works haven't been exhibited; they were personal gifts to JVA's family. Now Jerry and Melen's youngest daughter Mira, who's infanticipating, will hang them in her nursery.
It just occurred to me now that these works remain untitled. So, Mira, it is with extreme pleasure that I give them the "names" they need for after all, they are the babies of my mind, heart and hands. Dear Mira, these are all the "authentication papers" you'll need.
"C Is for Crabs, C Is for the Cancer-borns" (Jerry, Mira and I are all born under the zodiac sign of Cancer.)
"Tea Time for Stones and Two Jars"
"Cubes, Ovals and a Ripe Orange"
After Jerry died, Melen said when she met my grand-daughter again two years after she delivered Kai/Butones that she hoped Amarra and Kai would become friends. This is to continue the deep ties of the Araoses and Lolargas--what Jerry had written in the past about how our families are intertwined. But due to geographical reasons, it may be Amarra and my grand-niece Machiko Skye Lolarga Susi (right) who'll hit it off. Max, as the family calls her, is, like Amarra, an Antipolo resident.
Monday, the seventh of July, was Maestro Darrell Ang day. When he arrived at NAIA the day before, Joseph Uy, consultant of the Manila Chamber Orchestra Foundation, who was there to welcome him, texted immediately: "Ma'am, Darrell is now here. He's gorgeous. You'll like him."
I texted back: "Baka naman himatayin ako!"
Joseph: "Don't worry, Ma'am, I'll catch you."
That's what I love about Joseph. He has this deadpan humor, and he doesn't add cheesy smiley emoticons on his messages the way I always do.
I had to give up a ladies' lunch (postponed for the nth time) for this coverage for Vera Files. I always am thankful for good, kind cab drivers, even the talkative ones, who bring me to my destination and back to the house without incident. I can't tip them anymore, but if there's an anti-hypoglycemia pack of sugar-free anything (mints, candies, cookies), this goes to the driver of the moment. Better than a tip because their faces light up when they say: "Mommy, solved na merienda ko." With the babushka look, they initially speak in English and ask from what country I am. Naks! I'm inclined to say Greece or Ukraine, but I don't want the discussion to get political and complicated so I quickly confess I'm Pinay and I have a pangit haircut to hide which is true. The barber (yes, barbers are cheaper than salon hair stylists) is still alive, by the way.
Group shot around Maestro Ang (seated second from right between classical music blogger Andrian Lontoc and a babushka) at the Makati Sports Club. Others in photo are Jasmine Cruz (bending left) of BusinessWorld, Baltazar Endriga, chairman of the board of the MCO Foundation, Ellen Tordesillas of VERA Files, Malaya and Abante, and Allan Pastrana, contributing writer of Philippine Daily Inquirer and a teacher at Miriam College. I told Mr. Endriga it must be nice to called Chairman of the Board like Frank Sinatra. His quick reply: "But he was Sinatra, and his friends in the Rat Pack were all millionaires! I'm not."
Tuesday I filed my story only to learn that the Vera Files site had been spammed and hacked.
Wednesday was teaching day--the first time I went to school accompanied by a yaya, my mom's. Never, not even in my nursery and kindergarten years, was I ever accompanied by a yaya to school. But this time, someone had to help me carry my students' notebooks (the equivalent of theme notebooks in my high school years), other teaching materials, my umbrella and backpack of personal stuff.
Should I also be grateful for over-frank students who ask for my exact age, what the matter was with me and if I'll be due for retirement soon because of disability? One asked, "If you're sixty by next year, will you have to go? And if you do, will they dissolve CW (creative writing)?"
My answer was diplomatic: "When the time comes for me to leave school, someone will take over. No one is indispensable in any organization."
Thursday, oh my! It was La Gilda Day, her vernissage at Silverlens Galleries in Makati, but I'll reserve a full-length account of that wild evening for another outlet. I wanna share this precious pic of funny girl Chit Roces Santos who's always Not Quite There and her babushka pal. I asked what did she come as. She said, "Masahistang bulag!" We sat together for a bit by the registration table at the entrance, and I said, "If people ask, you're my caregiver. Class ako ngayon--tisay ang yaya ko!"
Chit and blogger
Don't even talk of Friday because from the moment I woke up with my husband by my side (a rarity when I'm in Manila), I was in a go-go-go mood. His idea of a treat was to cover all meals in one blow--yes, a luncheon buffet that started at 11:30 a.m., ended at 2 p.m., 15 minutes before all the stations closed. He seemed insatiable and steadily ate through plates of sushi, sashimi, chorizos, three flavors of green ice cream, halo-halo with just the sangkap, not the ice and milk, buko pandan, mango sago, all downed with beer. I was waiting for him to turn comatose before my eyes, but it was I who got sleepy from just two plates of sushi.
What woke me up was when the waiters started singing table to table where a birthday celebrator was seated. They were a threesome: guitarist, a maracas and a tambourine player. One of them carried a portable sound system. I envied the tables that had a celebrator each so when our neighbors enjoyed the birthday song plus another pop hit, I asked if anniversaries were counted (our 30th was coming up in a few days). Yup, they "performed" anniversaries, too. A waiter proceeded to fetch this huge tarpaulin with "Happy Anniversary" writ large. When the singing started, I felt an instant shot of adrenalin. It was my cue to rise with my cane, sit on Rolly's left leg and do a lap dance. Guess who walked with a limp after? And the song we were serenaded with? "Kahit Maputi Na ang Buhok Ko!"
Old couple marking their Pearl Anniversary with a cheerful photo bomber behind them. I'm pretty sure that if I die ahead of him, Rolly will miss me acutely because of moments like this one and thus forgive my past transgressions.
Hubby and I capped date night at the Mostly Mozart 2014 Festival. Knowing what a screeching, shameless fan girl I am when the gods and goddesses descend from Music's Olympus, Rolly kindly took my photo by the grand piano with an Adonis, Maestro Darrell Ang.
As if all those activities weren't enough, I met some of my CW students yesterday, a Saturday afternoon, at the entrance of the Ayala Museum for a field trip. They not only visited the permanent diorama and the Fernando Zobel retrospective, they were present for Dr. May Jurilla's lecture-presentation on "Romancing the Book." My instruction to the kids was to listen well so they could ask one well thought out question each. In the end, only three overcame their shyness to raise their hands during the open forum.
One, two, three: Hashtag Ayala Museum!
Photos by Angel Reyes Nacino, Babeth and Suzy Lolarga, Maite de la Rosa, Rolly Fernandez and others like another restaurant customer
Saturday, December 14, 2013
Simple joys...
...for a simpleton such as I. Yes, I am that. I never quite shook off the 10-year old in me. The thing with retaining that child is getting to a state of happiness is easy-peasy.
Mababaw ang kaligayahan ko. Easy to please, can adjust to any situation with a sense that it's a new adventure, can seek out friends like they were playmates even if they live in a far part of town because, well, play, when you're almost 59 and he is 75, can take the form of verbal jousts (we can't play hit the can anymore or climb trees to gaze at the view, our bodies have turned traitors as far as physical exertions are concerned). Right, Rustie?
Rustie hasn't aged a bit; he hasn't mellowed either. He remains belligerently bull-headed about certain adult themes. Here we are on the 10th of December lunch. His apres-lunch companion has accepted she can't coffee anymore with him but can sip a frap, and, dear barista, please don't be stingy with the cream! After this picture was taken in Imus, Cavite, I had to run off to UP Diliman for the jampacked Handel's Messiah, a story in itself. He waved me off with, "I wish I can go with you, but I will listen to Handel as though I were there with you."
A certain reporter-reviewer I know, who has the initials PAT and organizes concerts now and then, is portrayed in his tux. He's singing, accompanied by a music goddess. Spike-haired companion sings second voice. Doodled the night before Dec. 9.
If you haven't seen the Dustin Hoffmann-directed film Quartet, please do. It features folks like these who live in separate realities of their own, guided by private musical soundtracks. Thank you, Chit Roces Santos, for more pointers on social graces so I can try to be less of a social disaster. All doodles by Vergel O. Santos
I guess I'm this 10-year old who, like Peter Pan, refuses adamantly to be in the exalted ranks of mature persons who own property, hold steadfastly to jobs, have a car or maybe two or three parked in their carports in exclusive villages, buy the latest accoutrements that begin with a small "i" and other similar adult ways--the very thought of them, aray! a pain in my fat ass. Maybe 'tis the reason I can't live with a materialist or pragmatic philosophy but only agree on the analysis of the great social divides. Where does that put outsiders, i.e., kids like me?
Sometimes that can be dangerous, a playmate in my autumn years warned me. Because once a child is crossed, s/he reacts with the fury of a child, too.
Korek siya dyan!
But since this is that wonderful time of the year, I'm gonna let many things pass, forgive myself as I forgive others. Christmas and Easter tide are the best times for those.
Here's to ice cream man Jojo who has made the Kapitolyo-Pineda barangays in Pasig his work area. Every afternoon he pushes a stainless steel cart. Inside are pools of ube and cheese ice cream. The flavors change daily. Here's to milky and sunny days ahead! Life with love is beautiful.
Jojo, the ice cream man who brings joy to the children of public schools in Barangay Pineda and to one person in adjacent Kapitolyo. See you again, Jojo who evokes pictures of Clausy Ho! Ho! Ho! whenever I hear his bell tinkle in mid-afternoon.
Ice cream man's, ice cream cans, glass of ice cream photos by lactose-intolerant but defiant Babeth
Mababaw ang kaligayahan ko. Easy to please, can adjust to any situation with a sense that it's a new adventure, can seek out friends like they were playmates even if they live in a far part of town because, well, play, when you're almost 59 and he is 75, can take the form of verbal jousts (we can't play hit the can anymore or climb trees to gaze at the view, our bodies have turned traitors as far as physical exertions are concerned). Right, Rustie?
Rustie hasn't aged a bit; he hasn't mellowed either. He remains belligerently bull-headed about certain adult themes. Here we are on the 10th of December lunch. His apres-lunch companion has accepted she can't coffee anymore with him but can sip a frap, and, dear barista, please don't be stingy with the cream! After this picture was taken in Imus, Cavite, I had to run off to UP Diliman for the jampacked Handel's Messiah, a story in itself. He waved me off with, "I wish I can go with you, but I will listen to Handel as though I were there with you."
A certain reporter-reviewer I know, who has the initials PAT and organizes concerts now and then, is portrayed in his tux. He's singing, accompanied by a music goddess. Spike-haired companion sings second voice. Doodled the night before Dec. 9.
If you haven't seen the Dustin Hoffmann-directed film Quartet, please do. It features folks like these who live in separate realities of their own, guided by private musical soundtracks. Thank you, Chit Roces Santos, for more pointers on social graces so I can try to be less of a social disaster. All doodles by Vergel O. Santos
I guess I'm this 10-year old who, like Peter Pan, refuses adamantly to be in the exalted ranks of mature persons who own property, hold steadfastly to jobs, have a car or maybe two or three parked in their carports in exclusive villages, buy the latest accoutrements that begin with a small "i" and other similar adult ways--the very thought of them, aray! a pain in my fat ass. Maybe 'tis the reason I can't live with a materialist or pragmatic philosophy but only agree on the analysis of the great social divides. Where does that put outsiders, i.e., kids like me?
Sometimes that can be dangerous, a playmate in my autumn years warned me. Because once a child is crossed, s/he reacts with the fury of a child, too.
Korek siya dyan!
But since this is that wonderful time of the year, I'm gonna let many things pass, forgive myself as I forgive others. Christmas and Easter tide are the best times for those.
Here's to ice cream man Jojo who has made the Kapitolyo-Pineda barangays in Pasig his work area. Every afternoon he pushes a stainless steel cart. Inside are pools of ube and cheese ice cream. The flavors change daily. Here's to milky and sunny days ahead! Life with love is beautiful.
Jojo, the ice cream man who brings joy to the children of public schools in Barangay Pineda and to one person in adjacent Kapitolyo. See you again, Jojo who evokes pictures of Clausy Ho! Ho! Ho! whenever I hear his bell tinkle in mid-afternoon.
Ice cream man's, ice cream cans, glass of ice cream photos by lactose-intolerant but defiant Babeth
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