"We come from the earth, we return to the earth and in between we garden." - Anonymous
Or in between we gather, we sup, we make merry, we even marry when the occasion demands it. I have been silent on this space for many many days. That means I'm either backsliding and losing it or the season's requirements pushed blogging aside. A combination of both, I must say, with that in between sloth overcoming me during the lull between Christmas and New Year.
But not today. I assembled some pictures that I was resourceful enough to capture to help my memory along. From late November to December I've been to a total of six reunions, all indicative of a successful conquering of that anti-social streak in my personality. The temptation to remain a recluse and do my "socializing" through the comfort of the home and from the Internet remains ever-present, but let me not be the Grinch that spoils anyone's Christmas.
Here's to all of you, you who smiled for my camera, sang and put a lilt in my heart, you who reunited and married, you the dearly departed whose absence this season is a palpable stinging pinch on the flesh, you who I may have crossed or hurt. A cousin (thank you, Eileen Lolarga) reminded me to be less Babeth and more Christlike so love love love to all!
After I thanked Dr. Boots Camagay (center) and Jenny Juan (right) for coming to the intimate reunion lunch for my balikbayan cousin and their college buddy Rosemarie Romero, Boots replied, "It is a privilege that comes with genuine friendship." Jenny recalled the several "tender moments" we had laughing about relationships, laughing in the face of death and mourning (Boots is a new widow), in the face of setbacks financial and psychic.
Rose's reason for coming home after 12 long years of residence in Windsor, Canada, is the wedding of her only son Yonni Habulan (about to march down the middle of the aisle) to Lady Ngo.
The bride dramatically silhouetted against the open doors of the San Antonio de Padua Church in Silang, Cavite
Why the tears, beautiful bride? I wanted to ask Lady as she marched down the aisle. Her and Yonni's love and back story covers nearly two decades before it was blessed at the altar--from college sweethearts to new graduates to young architect and designer building up their own business to winning awards for their works before deciding to be man and wife.
The wedding was occasion for an impromptu Lolarga-Romero-Delos Reyes reunion as my sisters, cousins and niece tried to catch up on one another's lives. Seated at the Ville Sommet events place are Rose Romero, Suzy Lolarga and Eileen. Standing are my sister Pinky Lolarga Susi, a for-once-decently-dressed blogger and niece Regina de los Reyes.
Yonni serenades the lady of his heart and soul. I'm a sucker for gestures like this one. I teared up one too many times that evening. Good thing there was lechon and roast beef to distract me. Most photos by Babeth Lolarga
Showing posts with label Jenny Juan. Show all posts
Showing posts with label Jenny Juan. Show all posts
Thursday, December 31, 2015
Sunday, September 7, 2014
The girl with the pink French horn
Danielle Kuhlmann of Cultures in Harmony USA is one of four musicians who integrated with the Tagbanua community in Culion island, Northern Palawan. Culion is one of those affected by Super-typhoon Yolanda, but it remains largely out of the public eye in terms of relief and rehabilitation work because of the attention focused on Leyte. The musicians brought not the usual kind of relief goods. They had a learning exchange workshop to enable the Tagbanuans "to find strength in the richness of their own traditional music and culture" and for the Americans to see the similarities of indigenous and the classical and how they could co-exist.
That's Frank Shaw (left), who played the viola, and Danielle talking about their immersion experience and also about the music they're about to play to the audience at the Manila Symphony Orchestra's Rush Hour Concert No. 6, billed as "a different kind of traffic jam." There was no traffic on Aug. 21, a holiday, on the roads leading to Ayala Museum. One of the most touching Filipino pieces that the Americans played was the Bikolano folk song "Si Nanay, si Tatay Di Co Babayaan," arranged by Maestro Jeffrey Solares. Although it was only the music that Shaw and cellist Kim Patterson performed, it still carried that sense of gratitude for the mother on whose breast a child once suckled; as an adult he/she realizes that what the mother gave can never be repaid.
It's always a joy to watch the MSO Junior Orchestra players perform under Solares. After they're seated, they have an ate-kuya (older sis-older bro) system in place. Apart from sharing the music sheets, the bigger or more experienced kids sit alongside the younger ones to guide them and ensure that their instruments are in place.
Yes, they are truly kids and act like kids but only after performing like pros. How many times did we hear someone from the audience (and I'm 98 percent sure it ain't a relative of a young musician) exclaim, "Ang galing naman!" after the last note was played, including the penultimate "Eine Kleine Nachtmusik" by child wiz Mozart. Jenny Juan, grandmother of one of the teenage violinists, is optimistic about what's ahead of these kids: "Give them some more years, then we'll have our own orchestra that's on par with the New York or Berlin Philharmonic!" Let's continue to hope so, Jenny, and be around during their energetic performances whenever we can.
Look for the female French horn player with the instrument's mouth painted a pretty pink--she faithfully transcribed "Paalam," a Tagbanua folk song, for the Cultures in Harmony USA, the MSO Strings and the MSO Junior Orchestra to play after a video of the community members singing and playing the tune using makeshift jew's harp and percussive instruments from tin cans was shown. The audience rose as one, cheering and thanking the musicians who premiered the work that now can be played by any orchestra.
Danielle poses with my niece Bianca L. Susi, the family's own private pianist.
Jenny Juan with Danielle who's holding a copy of friend Geraldine C. Maayo's collection of short fiction that I told her she could read on the plane back to the US. Cultures in Harmony USA left the country Aug. 22, but what they had given and received is beyond measure. Photos by Babeth Lolarga
That's Frank Shaw (left), who played the viola, and Danielle talking about their immersion experience and also about the music they're about to play to the audience at the Manila Symphony Orchestra's Rush Hour Concert No. 6, billed as "a different kind of traffic jam." There was no traffic on Aug. 21, a holiday, on the roads leading to Ayala Museum. One of the most touching Filipino pieces that the Americans played was the Bikolano folk song "Si Nanay, si Tatay Di Co Babayaan," arranged by Maestro Jeffrey Solares. Although it was only the music that Shaw and cellist Kim Patterson performed, it still carried that sense of gratitude for the mother on whose breast a child once suckled; as an adult he/she realizes that what the mother gave can never be repaid.
It's always a joy to watch the MSO Junior Orchestra players perform under Solares. After they're seated, they have an ate-kuya (older sis-older bro) system in place. Apart from sharing the music sheets, the bigger or more experienced kids sit alongside the younger ones to guide them and ensure that their instruments are in place.
Yes, they are truly kids and act like kids but only after performing like pros. How many times did we hear someone from the audience (and I'm 98 percent sure it ain't a relative of a young musician) exclaim, "Ang galing naman!" after the last note was played, including the penultimate "Eine Kleine Nachtmusik" by child wiz Mozart. Jenny Juan, grandmother of one of the teenage violinists, is optimistic about what's ahead of these kids: "Give them some more years, then we'll have our own orchestra that's on par with the New York or Berlin Philharmonic!" Let's continue to hope so, Jenny, and be around during their energetic performances whenever we can.
Look for the female French horn player with the instrument's mouth painted a pretty pink--she faithfully transcribed "Paalam," a Tagbanua folk song, for the Cultures in Harmony USA, the MSO Strings and the MSO Junior Orchestra to play after a video of the community members singing and playing the tune using makeshift jew's harp and percussive instruments from tin cans was shown. The audience rose as one, cheering and thanking the musicians who premiered the work that now can be played by any orchestra.
Danielle poses with my niece Bianca L. Susi, the family's own private pianist.
Jenny Juan with Danielle who's holding a copy of friend Geraldine C. Maayo's collection of short fiction that I told her she could read on the plane back to the US. Cultures in Harmony USA left the country Aug. 22, but what they had given and received is beyond measure. Photos by Babeth Lolarga
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