#PeopleWhoMadeMyYearGood

My coffee mate said yesterday only newspapers do year-enders; in other words, what right have I to issue an e-mail with the subject head "year-end report"?

This is my personal thank you in words and photos for those who made the year 2013 good to me. A la Rod McKuen, I'm singin that song while I post the pics:

I call this my Baguio coffee mate Rolly Fernandez's Albert Einstein look. Here he is enjoying his mug of Benguet beans brewed to his liking--no sugar, no cream, just a dash of cinnamon to decrease his blood sugar level.

Mamay Kimi and Nanay B on Christmas Day

The butones herself, Kai, with her Booboo

My girls, Kimi, Ida and Kai, before Ida left for her new job in Sg.

Headed by The Matriarch "Mommy" Lolarga, the Lolargas of Pasig, Antipolo, Quezon City and Calgary, CA, in their look-up pose

I call this photo "Third Movement, Humoresque Concerto for Eight Hands." The players are: Chit Roces, Pablo Tariman, Vergel Santos and the girl with the brown lenses.

A lot of girls, gays and similar hipsters go to Gilda Cordero Fernando for life, light, love lessons. She never fails to deliver. Take it from Anna Leah Sarabia, Lorna Kalaw Tirol and Neni Sta. Romana Cruz, she's the best guru who doesn't like to be called one.

Perla Macapinlac, ICM, is Gilda's St. Theresa's College contemporary. She continues to run the ICM House of Prayer in Baguio where she conducts retreats. Her instruction is simple: dive deep, emerge whole, and don't be afraid of the monsters you see.

This is the first batch of participants at "Journey to Self: A Creative Journal Workshop," a project of the Baguio Writers Group, that pushed through despite super-typhoon Yolanda's visit to the South the weekend before. For facilitators Baboo Mondoñedo, Merci Javier Dulawan and myself, junior facilitator Jenny Cariño and secretariat head Sacha Weygan, the workshop was a fulfilling experience. We all came away enriched through the many encounters and shared experiences. Mabuhay!

Lalu Melen Araos with grand-daughter Amarra Araos Encabo host breakfast for their first-time visitor to their home and garden in Antipolo.

The spirit of artist Jerry Araos continues to live in his children like his son Jemil, here seen with daughter Widsy and Tita B. Jemil has an ongoing solo exhibit of sculpture and furniture at the University of the Philippines Los Baños Alumni Center at the UPLB campus in Laguna.

Jazz singer Annie Brazil can still croon, carry a tune at 80. Now and then she'd pause to sip water (or is it brandy?) or spray something into her mouth (asthma?), but the audience doesn't mind because she is truly funny, her spiels unscripted. As for Boots Anson Roa, I must thank her as a subject of an interview for Planet Philippines--I worked there briefly in the early 2000s. I re-posted the interview onto my blog. That entry has received one of the highest hits in this blog's history. Her second-time-around love story touches old hearts and farts like me.

Another funny girl is Jacqui Magno. Inevitable that Anna Leah and me clown around beside her. I never tire of telling Jacqui, "Thank you for the music."

When Anna went up to Renee Olstead to congratulate her on her performance in a tribute to Annie Brazil, she said, "You're an orchestra in one person." Renee's voice can sometimes sound like an oboe, a clarinet. She doesn't need to shout or make birit, I'm tellin' ya.

Bert Robledo, host of DZFE's Bravo Filipino, was once a choir member, too, during the time when soprano Evelyn Mandac was in her prime. Myramae Meneses, who cultural organizer Joseph Uy describes as "small but terrible," is, yes, princess of high C's. And she's just getting warm.

Prof. Rayben Maigue is the cool cat of the UP Jazz Ensemble.

Someone's supra-happy to be addressed "Tita Babeth" by tenor Arthur Espiritu in his normal speaking voice.

Yah, as Kai would put it, I saved this photo for last. The great Cecile Licad leafs through Marne Kilates' award-winning book of poems while a fan girl carries her grandchild. Kai sometimes forgets her manners; she failed to thank Ms. Licad for the vanilla ice cream treat.

This old fart with lotsa heart thanks everyone, even The One who sent a killer quake and typhoon, for enabling us to remember 2013 as one of the most memorable in anyone's life. For those who us who survived the year, the girls of Lincoln Park have this advice worth heeding anytime and everywhere.

Image from www.thegirlsoflincolnpark.com

Music against a post-Yolanda setting

WHILE others were rebuilding their lives, running relief kitchens and centers or continuing to appeal for help in behalf of the Bohol quake and super typhoon Yolanda survivors, musicians united, put music and its universal appeal in the service of a great cause.

Prof. Rayben Maigue leads the UP Jazz Ensemble

The UP Jazz Ensemble under Prof. Rayben Maigue opened, with swing-time hits, Ayala Museum's Season's Symphonies Concert Series, a fund-raiser for the Ayala Foundation’s disaster response and preparedness program.

In a commendable format, Lara Maigue narrated the story of jazz, instrument by instrument from a lonely cornet to the thicker texture of trumpets, clarinets and trombones combined. She sang staples like "Alright, Okay, You Win" and "A Nightingale Sang in Berkeley Square." The older Maigue did the demo part, leading the ensemble through a varied repertoire that included Latin-Am rhumba, mambo and samba

Vocalist Lara Maigue

Despite a mic, Maigue's voice was thin for the upbeat "Orange Colored Sky," a tune Jacqui Magno could pull off with seeming lack of effort. She strove mightily but was overpowered by the over-enthusiastic percussionists, wind and brass sections. The band members capped the evening by punctuating "The Christmas Waltz" with a hearty chorus of "Ho! Ho! Ho!"

Nevertheless, the vocalist and the band looked like they were enjoying what they were doing as they showed how jazz, adaptable through each era since it began in southern US, is here to stay.

Roxy Modesto on the sax baritone

A beloved University of the Philippines tradition is the singing of Handel's glorious Messiah. But this year's was especially moving. The entire program, featuring the UP choirs and the UP Orchestra from different campuses,was dedicated to the students, teachers and staff of UP Tacloban and their families. The few who made it that evening were given a prolonged applause in the standing-room-only University Theater.

The audience was encouraged to go to the table of the UP Foundation Inc. during the intermission. The staff accepted cash and check donations, issuing receipts in the spirit of transparency and in behalf of the Typhoon Yolanda Relief Fund.

Premiered at this benefit concert was the dirge "Kilos, Iskolar" (music by Verne de la Pena and lyrics by Reuel M. Aguila) written for a chorus and soloist. Mary Jeane Eglosa, a Madrigal soprano who hails from Tacloban, led the UP choirs in a chant-like repetition of lyrics that speak of tears that wouldn't dry up in a time of disaster. In true UP fashion (raised clenched fists), the piece ended with this challenge: "Panahon ng pagbangon/ Panahon ng pagtindig/ Kilos, iskolar/ Dumaraing ang bayan."

Fitri Cerado opens Yolanda fund-raising concert, "Jammin' for Help, Thanking the World," with her interpretation of "One Voice."

Martin Nievera in a duet with Lea Salonga

The talk of the musical grapevine remains "Jamming for Help, Thanking the World," a Fullhouse Asia production to benefit #helpPH at Rockwell Tent, Makati. This was an example of classical music triumphing gloriously over pop music exemplars like Lea Salonga and Martin Nievera.

Cecile Licad rocks Rachmaninoff's Concert No. 2.

Cecile Licad, who had wanted to do something immediately for the Visayas when she heard news of the devastation, made known her fierce passion for this country and her music in her solo parts in Rachmaninoff's Piano Concerto No. 2, even in the liquid sounds she produced as her fingers glided through the encore piece "Embraceable You."

Intense connection between Licad and Salonga who led the ABS-CBN Philharmonic Orchestra

The ABS-CBN Philharmonic Orchestra under Gerard Salonga played in a way unheard of in the past. It has leveled up remarkably, becoming more than a pop orchestra that provides background music to showbiz stars.

In baseball parlance, the orchestra has, as one, stepped up to the plate and, with Licad, hit a triple homer. Music and sports may seem irreconcilable. But the vigor with which Salonga showed in leading an inspired orchestra that was in sync with Licad--this is the team-up one can never tire off every time the People's Pianist comes home.

Licad used a Steinway that was up for silent auction, proceeds also going to the Yolanda cause.

Wearing t-shirts and jeans, Licad and the others belied the mentality that one must be glamorously outfitted at a concert. They set the tone of sobriety and austerity in a post-calamity context. In their deportment they shamed some audience members who came dressed to kill and wearing their bling blings.

Arthur Espiritu also stepped up to the plate. He drove for hours a truck filled to the brim with relief goods. He and his wife, whose roots are in Samar, delivered these to the typhoon survivors in Llorente, a solidarity gesture that signified, "Signed, sealed, delivered, I'm yours!"

Christmas caroling quartet made up of tenors Nival and Espiritu, sopranos Meneses and Balajadia

In "Arthur Espiritu and Friends," again at Ayala Museum, he was the audience's darling. The friends included tenor Nomher Nival, sopranos Myramae Meneses and Kay Balajadia, and collaborating pianist Najib Ismail.

Whether singing a difficult, heart-breaker of a Neapolitan song like Cardillo's "Core 'ngrato" or popular fare like the Irish anthem "Danny Boy" or even Brodzsky's "Be My Love," he sounded, in a word, impeccable.

Espiritu

His soaring voice and generosity will be missed as he fulfills singing engagements abroad for six months.--Elizabeth Lolarga

Photos by Anna Leah Sarabia and Elizabeth Lolarga