Showing posts with label Gilda Fernando. Show all posts
Showing posts with label Gilda Fernando. Show all posts

Tuesday, December 31, 2013

#PeopleWhoMadeMyYearGood

My coffee mate said yesterday only newspapers do year-enders; in other words, what right have I to issue an e-mail with the subject head "year-end report"?

This is my personal thank you in words and photos for those who made the year 2013 good to me. A la Rod McKuen, I'm singin that song while I post the pics:

I call this my Baguio coffee mate Rolly Fernandez's Albert Einstein look. Here he is enjoying his mug of Benguet beans brewed to his liking--no sugar, no cream, just a dash of cinnamon to decrease his blood sugar level.

Mamay Kimi and Nanay B on Christmas Day

The butones herself, Kai, with her Booboo

My girls, Kimi, Ida and Kai, before Ida left for her new job in Sg.

Headed by The Matriarch "Mommy" Lolarga, the Lolargas of Pasig, Antipolo, Quezon City and Calgary, CA, in their look-up pose

I call this photo "Third Movement, Humoresque Concerto for Eight Hands." The players are: Chit Roces, Pablo Tariman, Vergel Santos and the girl with the brown lenses.

A lot of girls, gays and similar hipsters go to Gilda Cordero Fernando for life, light, love lessons. She never fails to deliver. Take it from Anna Leah Sarabia, Lorna Kalaw Tirol and Neni Sta. Romana Cruz, she's the best guru who doesn't like to be called one.

Perla Macapinlac, ICM, is Gilda's St. Theresa's College contemporary. She continues to run the ICM House of Prayer in Baguio where she conducts retreats. Her instruction is simple: dive deep, emerge whole, and don't be afraid of the monsters you see.

This is the first batch of participants at "Journey to Self: A Creative Journal Workshop," a project of the Baguio Writers Group, that pushed through despite super-typhoon Yolanda's visit to the South the weekend before. For facilitators Baboo Mondoñedo, Merci Javier Dulawan and myself, junior facilitator Jenny Cariño and secretariat head Sacha Weygan, the workshop was a fulfilling experience. We all came away enriched through the many encounters and shared experiences. Mabuhay!

Lalu Melen Araos with grand-daughter Amarra Araos Encabo host breakfast for their first-time visitor to their home and garden in Antipolo.

The spirit of artist Jerry Araos continues to live in his children like his son Jemil, here seen with daughter Widsy and Tita B. Jemil has an ongoing solo exhibit of sculpture and furniture at the University of the Philippines Los Baños Alumni Center at the UPLB campus in Laguna.

Jazz singer Annie Brazil can still croon, carry a tune at 80. Now and then she'd pause to sip water (or is it brandy?) or spray something into her mouth (asthma?), but the audience doesn't mind because she is truly funny, her spiels unscripted. As for Boots Anson Roa, I must thank her as a subject of an interview for Planet Philippines--I worked there briefly in the early 2000s. I re-posted the interview onto my blog. That entry has received one of the highest hits in this blog's history. Her second-time-around love story touches old hearts and farts like me.

Another funny girl is Jacqui Magno. Inevitable that Anna Leah and me clown around beside her. I never tire of telling Jacqui, "Thank you for the music."

When Anna went up to Renee Olstead to congratulate her on her performance in a tribute to Annie Brazil, she said, "You're an orchestra in one person." Renee's voice can sometimes sound like an oboe, a clarinet. She doesn't need to shout or make birit, I'm tellin' ya.

Bert Robledo, host of DZFE's Bravo Filipino, was once a choir member, too, during the time when soprano Evelyn Mandac was in her prime. Myramae Meneses, who cultural organizer Joseph Uy describes as "small but terrible," is, yes, princess of high C's. And she's just getting warm.

Prof. Rayben Maigue is the cool cat of the UP Jazz Ensemble.

Someone's supra-happy to be addressed "Tita Babeth" by tenor Arthur Espiritu in his normal speaking voice.

Yah, as Kai would put it, I saved this photo for last. The great Cecile Licad leafs through Marne Kilates' award-winning book of poems while a fan girl carries her grandchild. Kai sometimes forgets her manners; she failed to thank Ms. Licad for the vanilla ice cream treat.

This old fart with lotsa heart thanks everyone, even The One who sent a killer quake and typhoon, for enabling us to remember 2013 as one of the most memorable in anyone's life. For those who us who survived the year, the girls of Lincoln Park have this advice worth heeding anytime and everywhere.

Image from www.thegirlsoflincolnpark.com

Tuesday, November 13, 2012

The ones who never left my side



They're two of my favorite creative collaborators: Lynett Villariba and Marissa Ileto. Plus factor is they're my pals, too. But I haven't had a chance to do a project with Lynett since she became the extremely busy artistic director of Philippine Daily Inquirer. Marissa is now an international English-as-second-language teacher but is still based in Manila. We are doing our high school batch's souvenir program. Maybe it's part of aging but the process has become slower despite computer technology. Occasion for this social was the book launch of Bobi Valenzuela's essay collection, Minsan, sa Tag-araw, at the old Hiraya Gallery.
One of the three guys seated with me, Caloy Abrera (second from left), left this world abruptly and with a loud clanging of bells and steel. The other one, poet Jolicco de Cuadra (to my right), is gravely ill with Parkinson's disease. His long-time partner, Auggusta de Almeidda, is trying to find a way to keep his medications in steady supply. Apparently still in good form, especially where singing is concerned, is baritone Alex Dacanay (holding his lunch bowl). This was taken in 2002 at Jerry Araos's garden in Antipolo on the occasion of the sculptor's birthday.
Them were the days indeed when we could drink one bottle of beer after another and not even count how many. And we always chose to sit in the smoking section! Oh my, are we all, Sam Sarmenta, Cynthia Alberto Diaz, Dario Noche, Louie-an Pilapil, the blogger, Joel Sarmenta, Amadis Ma. Guerrero, Francis whose last name I've temporarily forgotten, and Rustie Otico, now paying our dues, health-wise. Sam I'd occasionally see in our Kapitolyo neighborhood taking morning walks. At least there's one exercise-conscious member of the Friday Club.
Obviously, from the color they're wearing, this was Valentine's Day in 2011 when Jacqui Magno, my favorite Pinay jazz singer along with Gou de Jesus (Gou, magparamdam ka naman), had a gig at Merk's Place on Pasay Road. Anna Leah Sarabia is my long-time friend from her Filipinas Foundation years when she was a Makati office girl and still carried a de Leon surname. She has come a long, long way from that, and if she weren't too busy with feminist,  anti-tobacco and pro-RH advocacies, she has many memories to put down on paper. I'm wearing a sling because I broke my elbow in January that year. It healed miraculously through the intercession of poet-healer Mila Aguilar whose book of poems, Chronicle of a Life Foretold, was launched to much acclaim recently.
Anna Leah calls this picture "The Baguio Mafia," although I am hardly in the city up north these days, except for the recent semestral and Halloween break. Baboo Mondoñedo on my right is  a frequent collaborator as far as mounting watercolor shows goes. Her own collection of personal essays should be out by the new year. It is Laida's eldest daughter, Padma Perez, who's more my barkada. Laida though is an inspiration because not only is she Ms. Serenity herself, her slow-food and organic market advocacies in Baguio have taken deep roots apart from her support for weavers of handmade textiles. These beautiful textiles she wears with elegance.Her Cafe by the Ruins guava jam and tart are up there in my to-die-for list.
The is the Babeth-Gilda duet, taken by Anna Leah in 2010 at the old Kiss the Cook Gourmet location during a concert for a cause, featuring baritone Andrew Fernando (no relation to Gilda), flutist Christopher Oracion and pianist Mary Anne Espina, to benefit the Free Ericson Acosta Campaign. Ericson is good friend Pablo Tariman's son-in-law, a political prisoner in Calbayog City, Samar.
Taken at The Peninsula Manila when Australia-based Japanese ceramics artist Shoko Mafune visited last. Mariano Garchitorena, the dapper-looking tisoy, always hosts our reunion dinners and long lingering coffee chats afterwards. Always present on these occasions also is Noel Soler Cuizon, whose time is taken up teaching fine arts full-time at the Philippine Women's University.